Hello to everyone who has been following this blog for many years - I'm still blogging, I'm just moving over to https://www.claireheffer.com/blog - please continue to follow and let me take this opportunity to thank everyone who has been kind enough to visit over the years. May the lists continue...

Sunday, 26 October 2014




FILM 1225: AMADEUS

TRIVIA: Several professors of music stated, after studying all of the musical keys struck on pianos throughout the film, that not one key is struck incorrectly when compared to what is heard at the exact same moment. In other words, what you see is exactly what you hear.

When shooting the scene in which Salieri is writing down the death mass under Mozart's dictation, Tom Hulce was deliberately skipping lines to confuse F. Murray Abraham, in order to achieve the impression that Salieri wasn't able to fully understand the music he was dictated.

When the movie won Best Picture at the Academy Awards, Sir Laurence Olivier was presenting the award. He went up to the podium, opened the envelope and said "Amadeus." The problem was he forgot to read the nominees first.

It has been claimed that the concept for Wolfgang Amadeus Mozart's annoying laugh was taken from "references in letters written about him", including a description of him having "an infectious giddy" laugh, and sounding "like metal scraping glass". No citations have been provided for these letters, however. There is no indication as to who wrote them, to whom or when. And in the absence of further citations, these claims of historical evidence for Mozart's laugh should be regarded as dubious at best. Robert L. Marshall, writing in "Film as Musicology: Amadeus" (The Musical Quarterly, Vol.18/2, 1997, p.177) says that there is "absolutely no historical evidence for this idiosyncrasy [Mozart's infuriating laugh]. We simply have no contemporary testimony at all as to how Mozart sounded when he laughed." Marshall goes on to explain that the laugh is a dramatic device, representing the mocking laughter of the gods, as in fact Antonio Salieri recognizes in the script.

F. Murray Abraham learned to read and conduct music for his role.

The music was pre-recorded and played in the background as scenes were filmed. Tom Hulce practiced four hours a day at the piano to appear convincing.

Elizabeth Berridge, during the Nipples of Venus scene, did not know she could spit out the candy (which was really lumps of marzipan) between takes and ate about 15 whole pieces. She later describes how she thought that they were disgusting and that she eventually made herself sick.


Tim Curry and Mark Hamill both auditioned for the role of Mozart (and played Mozart on Broadway).

No comments:

Post a Comment