BOOK 157: MOBY DICK: HERMAN MELVILLE
Moby-Dick; or, The Whale is a novel by American writer Herman Melville, published
in 1851 during the period of the American
Renaissance. Sailor Ishmael
tells the story of the obsessive quest of Ahab, captain of the whaler the Pequod, for
revenge on Moby Dick,
the white whale which on the previous whaling voyage destroyed his ship and
severed his leg at the knee. The novel was a commercial failure and out of
print at the time of the author's death in 1891, but during the 20th century,
its reputation as a Great
American Novel was established. William Faulkner confessed
he wished he had written it himself, and D. H. Lawrence called it
"one of the strangest and most wonderful books in the world", and
"the greatest book of the sea ever written".
"Call me Ishmael" is among world literature's most famous
opening sentences.
Dedicated to Nathaniel
Hawthorne, "in token of my admiration for his genius", the
work was first published as The Whale in London in October 1851,
and under its definitive title in New York in November. Hundreds of
differences, mostly slight and some important, are seen between the two
editions. The London publisher censored or changed sensitive passages and
Melville made revisions, as well, including the last-minute change in the title
for the New York edition. The whale, however, appears in both editions as
"Moby Dick", with no hyphen. About 3,200 copies were sold during the
author's life.
The novel has been adapted or represented in art, film, books, cartoons,
television, and more than a dozen versions in comic-book format. The first
adaptation was the 1926
silent movie The Sea Beast, starring John Barrymore, in which
Ahab kills the whale and returns to marry his fiancée. The most famous
adaptation was the John Huston
1956 film
produced from a screenplay by author Ray Bradbury. The long
list of adaptations, as Bryant and Springer put it, demonstrates that "the
iconic image of an angry embittered American slaying a mythic beast seemed to
capture the popular imagination", showing how "different readers in
different periods of popular culture have rewritten Moby-Dick" to make it
a "true cultural icon".
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