FILM 1790: MISSION: IMPOSSIBLE - ROGUE NATION

FILM 1790: MISSION: IMPOSSIBLE - ROGUE NATION

TRIVIA:Tom Cruise stated in an interview that it was his intention to do the stunt hanging onto the Airbus A400M in a way to outdo himself after the Burj Khalifa climb stunt in Mission: Impossible - Ghost Protocol (2011). However, his idea raised objections by the crew due to safety. Being a certified pilot himself, he wanted to get the feel of being out on the wing or on the side of the airplane. A major obstacle to filming would be bird strikes and wind resistance on the runway. To capture the action, a wind-resistant custom frame for the camera was built and mounted onto the left wing of the plane. The other major problem would be keeping Cruise's eyes open in the presence of fast wind and runway particles, so his eye specialist designed a special lens that can cover the entire eyeball. Eight takes of the stunt were filmed. Christopher McQuarrie was very concerned that the actor might panic suddenly, but was assured by Cruise to not stop filming until the stunt had been finished.

Ethan receives his new mission on a vinyl long-playing record. This was one of the first ways of receiving new missions from the Mission: Impossible (1966) television

A brief scene in which Ilsa pauses in the middle of an action sequence to remove her high-heeled shoes was singled out in reviews for its realism, especially in light of the just-released Jurassic World (2015), which was criticized as Bryce Dallas Howard spends much of her action movie literally running in heels from dinosaurs. There was even the idea to highlight the scene in promotional trailers and television spots, but Tom Cruise and Christopher McQuarrie refused, saying that "it wasn't about twisting the knife."

When training for the underwater scene, Tom Cruise was able to hold his breath underwater for six minutes.

Tom Cruise and Ving Rhames are the only actors to appear in all six films.

Argentinian composer Lalo Schifrin, who wrote the Mission: Impossible (1966) theme, also created the orchestral arrangements for the "Three Tenors" concerts that made "Nessun Dorma" (featured in this film) an international pop culture phenomenon.

The idea of synchronizing a gun shot with a particular moment in a music score during a live performance is taken out of Hitchcock's The Man Who Knew Too Much (1956).