FILM 1981: THE FRIENDS OF EDDIE COYLE

FILM 1981: THE FRIENDS OF EDDIE COYLE

TRIVIA: Alex Rocco, who plays bank robber Scalise, was a former member of the notorious The Winter Hill Gang that operated out of Boston, Massachusetts. Moreover, Rocco introduced Robert Mitchum to Howie Winter, who was the second boss of The Winter Hill Gang, to help Mitchum research his role as Eddie Coyle.

Peter Boyle found it very difficult to draw a glass of tap beer for his part of a bartender. Director Peter Yates arranged for a correctly-filled glass to be available for Boyle below the camera line. Unseen by the camera eye, Boyle then switched glasses.

The entire film was shot on location.

Robert Mitchum gained weight for his role as Eddie Coyle.

FILM 1216: BUTCH CASSIDY AND THE SUNDANCE KID

TRIVIA: Lula Parker Betenson, sister of the real Butch Cassidy, often visited the set, and her presence was welcome to the cast and crew. During lulls in shooting she would tell stories about her famous brother's escapades, and was amazed at how accurately the script and Paul Newman portrayed him. Before the film was released, the studio found out about her visits and tried to convince her to endorse the movie in a series of ads to be shown in theatres across the country. She said that she would, but only if she saw the film first and truly stood behind it. The studio refused, saying that allowing her to see the film before its release could harm its reputation. Finally, at Robert Redford's suggestion, she agreed to do the endorsements - for a small "fee."

The more commonly used name for Butch Cassidy and Sundance Kid's gang was The Wild Bunch. However, when the Sam Peckinpah film, The Wild Bunch (1969), was released a few months earlier, the name of the gang was changed to the Hole in the Wall Gang to avoid confusion with Peckinpah's film.

Katharine Ross enjoyed shooting the silent, bicycle riding sequence best, because it was handled by the film crew's second unit rather than the director. She said, "Any day away from George Roy Hill was a good one." (This was after she had been scolded and banned from the set for operating a camera.)

According to screenwriter William Goldman, his screenplay originally was entitled "The Sundance Kid and Butch Cassidy." Both Steve McQueen and Paul Newman read the script at approximately the same time, and agreed to do it, with McQueen playing the Sundance Kid. When McQueen dropped out, the names reversed in the title, as Newman was a superstar.

'Butch Cassidy' (Robert Leroy Parker) was so nick-named because he once worked in a butcher's shop whilst 'The Sundance Kid' (Harry Alonzo Longabaugh) was nick-named this because he once was arrested in the Wyoming town of Sundance.

Dustin Hoffman was considered for the role of Butch Cassidy.

FILM 1163: BONNIE AND CLYDE

TRIVIA: The characters Eugene Grizzard and Velma Davis (played by Gene Wilder and Evans Evans) are based on Dillard Darby and Sophia Stone of Ruston, Louisiana. On the night of April 27, 1933, Darby and Stone were briefly kidnapped by the Barrow gang, who had stolen Darby's car. After driving around Ruston for several hours, Darby and Stone were released unharmed. During the drive, when Darby mentioned that he was an undertaker, Bonnie Parker remarked, "Well, maybe you'll work on me someday." A year later, Darby did just that. He was one of the undertakers who worked on Bonnie Parker's body after she and Clyde Barrow were killed in the roadside ambush near Gibsland, Louisiana, in May, 1934.

The real Blanche Barrow sued Warner Brothers over the way she was depicted in the film. In reality, Barrow was the same age as Bonnie Parker, arguably better looking than her, she was not a preacher's daughter and had married Buck knowing full well that he was an escaped prisoner and twice divorced.

Roger Ebert had only been a film critic for six months when he saw this film and hailed it as the first masterpiece he had seen on the job.

During one of the bank robberies, Buck Barrow (Gene Hackman) does a leap over the tellers' cage. This was a stunt routinely pulled by John Dillinger, who in turn learned it from watching Douglas Fairbanks in the "Zorro" movies.

Michael J. Pollard didn't realize in eating scenes that you don't actually eat all the food because of the possibility of repeated takes. Sure enough, he soon regretted it in the scene in which the outlaws kidnap a couple and eat their lunch in the car. By the 12th take, Pollard was feeling decidedly ill, having had to eat 12 whole hamburgers.

Bonnie's family reunion scene was shot through a window screen to give it a hazy, nostalgic effect.

Heavily influenced by the French New Wave directors, mainly through its rapid shifts of tone and its choppy editing.

Before deciding to play the role himself, producer Warren Beatty's first choice for the role of Clyde Barrow was musician and composer Bob Dylan, who resembled the actual Barrow more strongly than Beatty.

When Warren Beatty was on board as producer only, his sister Shirley MacLaine was a strong possibility to play Bonnie. But when Beatty decided to play Clyde himself, for obvious reasons he decided not to use MacLaine.

Warner Brothers had so little faith in the film that, in an unprecedented move, it offered its first-time producer Warren Beatty 40% of the gross instead of a minimal fee. The movie then went on to gross over $50 million.

Debut of Gene Wilder.

When scouting for locations, production designer Dean Tavoularis was delighted to see that a lot of the smaller Texas towns hadn't changed much from the 1930s.

Film 1037: Guerrilla: The Taking of Patty Hearst

Guerrilla: The Taking of Patty Hearst is a 2004 PBS documentary film about the 1974 kidnapping of Patty Hearst by the Symbionese Liberation Army left-wing revolutionary group. It was directed by Robert Stone, and features interviews with Timothy Findley and SLA members Russ Little and Michael Bortin.