FILM 1860: A WOMAN'S FACE

FILM 1860: A WOMAN'S FACE

TRIVIA: Director Cukor wanted Anna's recital of her life story to be done in a tired, mechanical fashion, so he had Crawford repeat the multiplication tables over and over until he got the monotonous tone he was looking for. Then, he rolled the cameras.

This was originally an MGM project lined up for Greta Garbo, but she retired from films so MGM rushed Joan Crawford into the role.

Based on the movie "En kvinnas ansikte" from 1938 where Ingrid Bergman plays the lead role of Anna.

BOOK 186: FAREWELL, MY LOVELY: RAYMOND CHANDLER

Farewell, My Lovely is a novel by Raymond Chandler, published in 1940, the second novel he wrote featuring the Los Angeles private eye Philip Marlowe. It was adapted for the screen three times and was also adapted for the stage and radio.

CULTURAL REFERENCES

In the first shot after the opening titles of Get Carter, the character played by Michael Caine is seen reading a paperback copy of the book.

In the opening episode of the television series Bored to Death, the character Jonathan Ames, played by Jason Schwartzman, is inspired to become a private detective after reading the book.

FILM 1604: DIAL M FOR MURDER

TRIVIA: Warner Brothers insisted on shooting the movie in 3-D although the craze was fading and Alfred Hitchcock was sure the movie would be released flat. The director wanted the first shot to be that of a close-up of a finger dialing the letter M on a rotary dial telephone, but the 3-D camera would not be able to focus such a close-up correctly. Hitchcock ordered a giant finger made from wood with a proportionally large dial built in order to achieve the effect.

During the attack scene according to the script, Grace Kelly was to get out of bed, put her robe on, and answer the phone when it rang. Grace Kelly contended that no woman, being at home, would put a robe on to answer the phone. Alfred Hitchcock agreed, and so the scene was shot with her in her nightgown.

Alfred Hitchcock wanted Cary Grant to star, but Warner Bros felt that he would be miscast as a villain.

Filmed in 3-D, which explains the prevalence of low-angle shots with lamps and other objects between the audience and the cast members. There was only a brief original release in 3-D, followed by a conventional, "flat" release; The New York Times review mentioned it opened with the "flat" release at the Paramount in New York. The 3-D version was re-issued in 1980.

At their first meeting, the untrustworthy Captain Swann is wearing a tie the colors of a Guards regimental tie. However this is not a genuine tie, as the diagonal stripes run in the American direction, opposite to British style. This is a contemporary detail, used by spivs.* The tie resembles the trustworthy Guards tie well enough to fool most, but gives an excuse if a genuine Guardsman queries one's service record. (*"Spiv" is a Britishism for "a man who lives by his wits without regular employment" [Merriam-Webster's Collegiate Dictionary, eleventh edition].)

Ranked #9 on the American Film Institute's list of the 10 greatest films in the genre "Mystery" in June 2008.

Warner Brothers forced Alfred Hitchcock to make the movie to fulfill his contract - such was his disinterest that he claimed he could have phoned in his direction, and that the action wouldn't have been any less interesting if he'd staged it in a phone booth.

CAMEO: Alfred Hitchcock: about 13 minutes into the film, Hitchcock can be seen on the left side of the reunion photograph. As he is only seen in a photo, this is the final Hitchcock film in which he does not appear in person.

FILM 1118: THE RECKLESS MOMENT

TRIVIA: Walter Wanger, who produced "Reckless Moment", and Joan Bennett were married from 1940 until 1965. In 1951 Wanger shot Bennett's agent, Jennings Lang, apparently based on the assumption of a romantic involvement between the two.

For this movie and others made in Hollywood, the director is listed as "Opuls"; however, for his movies made in Europe the name is "Ophuls". His name at birth is Oppenheimer.