FILM 1846: WHITE MAN'S BURDEN

FILM 1846: WHITE MAN'S BURDEN

TRIVIA: John Travolta took the role at Quentin Tarantino's urging.

Desmond Nakano, who is Japanese-American, created the film in part because of how we felt that to both American whites and blacks, he was "them". He also tapped into the disorienting feeling he felt when he visited Japan, saying that "for so long I had been different, it felt wrong to be the same."

BOOK 189: SAPIENS: A BRIEF HISTORY OF HUMANKIND: YUVAL NOAH HARARI

BOOK 189: SAPIENS: A BRIEF HISTORY OF HUMANKIND: YUVAL NOAH HARARI

This book surveys the history of humankind from the evolution of archaic human species in the Stone Age up to the twenty-first century, focusing on our own species of human, Homo sapiens. The account is situated within a framework provided by the natural sciences, particularly evolutionary biology.

Harari surveys the history of humankind from the evolution of archaic human species in the Stone Age up to the twenty-first century, focusing on our own species of human, Homo sapiens. He divides the history of Sapiens into four major parts: 

The Cognitive Revolution (c. 70,000 BC, when Sapiens evolved imagination).

The Agricultural Revolution (c. 10,000 BC, the development of agriculture).

The unification of humankind (the gradual consolidation of human political organisations towards one global empire).

The Scientific Revolution (c. 1500 AD, the emergence of objective science).

Public reception

First published in Hebrew in 2011 and then in English in 2014, the book was translated into 45 languages (as of June 2017). It also made to The New York Times best-seller list and won the National Library of China's Wenjin Book Award for the best book published in 2014. Writing four years after its English-language publication, Alex Preston wrote in The Guardianthat Sapiens had become a "publishing phenomenon" with "wild success" symptomatic of a broader trend toward "intelligent, challenging nonfiction, often books that are several years old". Concurrently, The Guardian listed the book as among the ten "best brainy books of the decade".

Scholarly reception

Anthropologist Christopher Robert Hallpike reviewed the book and did not find any "serious contribution to knowledge". Hallpike suggested that "...whenever his facts are broadly correct they are not new, and whenever he tries to strike out on his own he often gets things wrong, sometimes seriously". He considered it an infotainment publishing event offering a "wild intellectual ride across the landscape of history, dotted with sensational displays of speculation, and ending with blood-curdling predictions about human destiny." 

Science journalist Charles C. Mann concluded in The Wall Street Journal, "There’s a whiff of dorm-room bull sessions about the author’s stimulating but often unsourced assertions." 

Reviewing the book in The Washington Post, evolutionary anthropologist Avi Tuschman points out problems stemming from the contradiction between Harari's "freethinking scientific mind" and his "fuzzier worldview hobbled by political correctness", but nonetheless wrote that "Harari’s book is important reading for serious-minded, self-reflective sapiens." 

Reviewing the book in The Guardian, philosopher Galen Strawson concluded that among several other problems, "Much of Sapiens is extremely interesting, and it is often well expressed. As one reads on, however, the attractive features of the book are overwhelmed by carelessness, exaggeration and sensationalism." 

Reviewing the book in The New Atlantis, John Sexton, graduate student at the University of Chicago, concluded that "The book is fundamentally unserious and undeserving of the wide acclaim and attention it has been receiving".

MY VERDICT: I found this book entertaining and interesting. Despite some negative reviews from scholars, I found some fascinating theories that I previously had not heard of and some of Harari’s viewpoints were thought provoking. There is a lot of information to digest and I forgot most of the history at the start by the time I got to the end, which is more to do with my memory than a fault of the book. I did feel that the last chapter prophesized too much and continued on a bit too long but overall I enjoyed it.

FILM 1780: THE RACHEL DIVIDE

FILM 1780: THE RACHEL DIVIDE

Rachel Dolezal becomes a social phenomenon when she passes herself off as an African American and becomes the head of her local N.A.A.C.P. chapter.

Three of my very talented friends have started a kickstarter for their newest book Sweet Dreams | Love, life & death in Mexico.

It looks amazing – of course I will be buying a copy as I already have their other excellent photobooks (previously they went to China and Ghana)

https://www.kickstarter.com/projects/1988779039/sweet-dreams-love-life-and-death-in-mexico?ref=project_link

https://www.lensculture.com/articles/niels-ackermann-looking-for-identity-looking-for-lenin#slideshow

BOOK 173: SLOUCHING TOWARDS BETHLEHEM: JOAN DIDION

Slouching Towards Bethlehem is a 1968 collection of essays by Joan Didion that mainly describes her experiences in California during the 1960s. It takes its title from the poem "The Second Coming", by W. B. Yeats. The contents of this book are reprinted in Didion's We Tell Ourselves Stories in Order to Live: Collected Nonfiction (2006).

The title essay describes Didion's impressions of the Haight-Ashbury district of San Francisco during the neighborhood's heyday as a countercultural center. In contrast to the more utopian image of the milieu promoted by counterculture sympathizers then and now, Didion offered a rather grim portrayal of the goings-on, including an encounter with a pre-school-age child who was given LSD by her parents.

In The New York Times Book Review, the novelist and screenwriter Dan Wakefield wrote, "Didion's first collection of nonfiction writing, Slouching Towards Bethlehem, brings together some of the finest magazine pieces published by anyone in this country in recent years. Now that Truman Capote has pronounced that such work may achieve the stature of 'art,' perhaps it is possible for this collection to be recognized as it should be: not as a better or worse example of what some people call 'mere journalism,' but as a rich display of some of the best prose written today in this country."

(Information from https://en.wikipedia.org/wiki/Slouching_Towards_Bethlehem)

http://www.designlovefest.com/2017/01/stockholm-travel-guide-win-this-trip-for-two/

BOOK 169: THE GOD OF SMALL THINGS: ARUNDHATI ROY

The God of Small Things (1997) is the debut novel of Indian writer Arundhati Roy. It is a story about the childhood experiences of fraternal twins whose lives are destroyed by the "Love Laws" that lay down "who should be loved, and how. And how much." The book explores how the small things affect people's behavior and their lives. It won the Booker Prize in 1997.

The God of Small Things was Roy's first book and as of August 2016 is her only novel. Completed in 1996, the book took four years to complete. The potential of the story was first recognized by Pankaj Mishra, an editor with HarperCollins, who sent it to three British publishers. Roy received 500,000 pounds in advance and rights to the book were sold in 21 countries.

STYLE: NON-SEQUENTIAL NARRATIVE

The God of Small Things is not written in a sequential narrative style in which events unfold chronologically. Instead, the novel is a patchwork of flashbacks and lengthy sidetracks that weave together to tell the story of the Ipe family. The main events of the novel are traced back through the complex history of their causes, and memories are revealed as they relate to one another thematically and as they might appear in Rahel's mind. Although the narrative voice is omniscient, it is loosely grounded in Rahel's perspective, and all of the episodes of the novel progress toward the key moments in Rahel's life.

(Information from https://en.wikipedia.org/wiki/The_God_of_Small_Things)

BOOK 160: GIOVANNI'S ROOM: JAMES BALDWIN

The book focuses on the events in the life of an American man living in Paris and his feelings and frustrations with his relationships with other men in his life, particularly an Italian bartender named Giovanni whom he meets at a Parisian gay bar.

Giovanni's Room is noteworthy for bringing complex representations of homosexuality and bisexuality to a reading public with empathy and artistry, thereby fostering a broader public discourse of issues regarding same-sex desire.

Baldwin admitted that his publisher first told him to "burn" the book because the theme of homosexuality would alienate him from his readership among black people. However, upon publication critics tended not to be so harsh thanks to Baldwin's standing as a writer. Giovanni's Room was ranked number 2 on a list of the best 100 gay and lesbian novels compiled by The Publishing Triangle in 1999.

(Information from: https://en.wikipedia.org/wiki/Giovanni's_Room)