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FILM 1458: HOTEL TRANSYLVANIA

TRIVIA: Dracula's wife and the infant version of Mavis are voiced by Adam Sandler's wife and daughter.

Miley Cyrus was cast as Mavis, but she withdrew to focus on other projects, so she was replaced by Selena Gomez.

FILM 1121: NOSFERATU THE VAMPYRE

TRIVIA: The scene where Nosferatu arrives in the city required thousands of grey rats. Real grey rats were unavailable and therefore white ones were painted grey and used instead.

As this movie was made long after the copyright to Bram Stoker's Dracula had expired, Werner Herzog decided to restore the original names of the characters, while still following the movie blueprint laid out by F.W. Murnau's Nosferatu (1922).

Klaus Kinski had to spend approximately four hours per day in make-up. Fresh latex ear pieces had to be poured for each day of shooting because they were destroyed at removal. Kinski, notorious for his violent daily temper-tantrums, had a very good relationship to Japanese make-up artist Reiko Kruk and was exceedingly patient and well-behaved during make-up.

One of five Dracula movies made and released around 1979. The films are Dracula (1979), Nosferatu the Vampyre (1979), Love at First Bite (1979), Nocturna (1979) and Graf Dracula (beißt jetzt) in Oberbayern (1979). Also from 1979 were the vampire movies Thirst (1979) and Salem's Lot (1979).

CAMEO: Werner Herzog:  the person who sticks his foot into the coffin and gets his toe bitten by a rat.

Film 842: Dracula

Trivia: When Universal purchased the rights to the 1927 Broadway play, Lon Chaney was considered for the title role. However, Chaney died on August 26, 1930, and the role went to Bela Lugosi.

A Spanish-language version, Drácula, was filmed at night on the same set at the same time, with Spanish-speaking actors.

Cinematographer Karl Freund achieved the effect of Dracula's hypnotic stare by aiming two pencil-spot-lights into actor Bela Lugosi's eyes.

The Royal Albert Hall sequence of the movie was filmed on the same stage where The Phantom of the Opera starring Lon Chaney had been filmed.

The large, expansive sets built for the Transylvania castle and Carfax Abbey sequences remained standing after filming was completed, and were used by Universal Pictures for many other movies for over a decade.

Bela Lugosi was so desperate to repeat his stage success and play the Count Dracula role for the film version, that he agreed to a contract paying him $500 per week for a seven week shooting schedule, an insultingly small amount even during the days of the Depression.

The spider webs in Dracula's castle were created by shooting rubber cement from a rotary gun.

Due to studio demands to cut costs, the film was shot in sequence.

Similar to the prologue in Frankenstein, the original release featured an epilogue with Edward Van Sloan talking to the audience about what they have just seen. This was removed for the 1936 re-release and is now assumed to be lost.

While it is rumored that Bela Lugosi, could not speak English very well, and had to learn his lines phonetically, this is not true. Lugosi was speaking English as well as he ever would by the time this was filmed.

There was no real musical soundtrack in the film because it was believed that, with sound being such a recent innovation in films, the audience would not accept hearing music in a scene if there was no explanation for it being there (e.g., the orchestra playing off camera when Dracula meets Mina at the theatre).

Several famous elements often associated with Dracula are not visible in this film. At no point does Dracula display fangs. Also, the famous vampire bite mark on the neck is never shown either (though it is visible in the Spanish version).

The opening music to this film is from Act 2 of Swan Lake.

Bette Davis (who had a contract at Universal at the time) was considered to play the part of Mina Harker. However, Universal head Carl Laemmle Jr. didn't think too highly of her sex appeal.

When Bela Lugosi died in 1956, he was buried wearing the black silk cape he wore for this film.

Apparently morose over the loss of friend and collaborator Lon Chaney and in the midst of severe alcoholism, the normally meticulous Tod Browning was said to have been sullen and unprofessional during the shoot. Among his actions were to leave set, leaving cinematographer Karl Freund to direct scenes. He would also recklessly tear pages out of the script if he felt them to be redundant.