Saturday, 6 February 2016



FILM 1468: MAD MAX: FURY ROAD 

TRIVIA: Over 80% of the effects seen in the film are real practical effects, stunts, make-up and sets. CGI was used sparingly mainly to enhance the Namibian landscape, remove stunt rigging and for Charlize Theron's left hand which in the film is a prosthetic arm.

In creating the look of the film, director George Miller laid down two stipulations for the production to follow. Firstly the cinematography would be as colorful as possible in order to differentiate the film from other post apocalyptic movies which typically have bleak desaturated colors. Secondly the art direction would be as beautiful as possible, as Miller reasoned that people living in the post apocalypse would try to find whatever scraps of beauty they could in their meager environment.

The film editor, Margaret Sixel, is director George Miller's wife. When she asked her husband why he thought she should do it as she had never edited an action film before, Miller replied, "Because if a guy did it, it would look like every other action movie."

In a Cannes press conference for the movie, Tom Hardy apologized to George Miller for the reportedly complicated relationship between the star and the director during filming. He stated: "There was no way, I mean, I have to apologize to you because I got frustrated. There was no way George could have explained what he could see in the sand when we were out there. Because of the due diligence that was required to make everything safe and so simple, what I saw was a relentless barrage of complexities, simplified for this fairly linear story. I knew he was brilliant, but I didn't know how brilliant until I saw it. So, my first reaction was 'Oh my god, I owe George an apology for being so myopic.'"

After George Miller screened some footage at SWSX film festival, a man stood up and asked: "How the hell did you film that!?" That man was none other than director Robert Rodriguez.

Riley Keough, the actress who plays the red-haired bride, Capable, is daughter of Lisa Marie Presley and grand-daughter of Elvis Presley. In real life, Elvis Presley purchased Cadillacs for his friends and family which outnumber his personal collection (in real life he purchased 14 1959 Cadillacs as 'give away' automobiles, mostly used for charitable causes; in real life he does not own the 1959 model since he was stationed in West Germany when serving in the U.S. Army). Only film to date where Keough is seen in an automobile connected with her grandfather, who was an admirer of the Cadillac product line.

In a July 2014 interview at San Diego Comic-Con International, George Miller said he designed the film in storyboard form before writing the screenplay, working with five storyboard artists. It came out as about 3,500 panels, almost the same number of shots as in the finished film. He wanted the film to be almost a continuous chase, with relatively little dialogue, and to have the visuals come first. Paraphrasing Alfred Hitchcock, Miller said that he wanted the film to be understood in Japan without the use of subtitles.

The second sequel to receive an Academy Award nomination for Best Picture without any of its predecessors being nominated, the first being Toy Story 3 (2010).




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