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Showing posts with label camp. Show all posts
Showing posts with label camp. Show all posts

Sunday, 10 January 2016




FILM 1455: STALAG 17

TRIVIA: William Holden did not like the part of Sefton at all as written in the script, thinking him too selfish. He kept asking Billy Wilder to make Sefton nicer and Wilder refused. Holden actually refused the role but was forced to do it by the studio.

To improve the chances for commercial success in West Germany (at that time already an important market for Hollywood) a Paramount executive suggested to Billy Wilder that he should make the camp guards Poles rather than Germans. Wilder, whose mother and stepfather had died in the concentration camps, furiously refused and demanded an apology from the executive. When it didn't come, Wilder did not extend his contract at Paramount

Otto Preminger always claimed that, as a director, he would only shout at actors if they were late or if they did not know their lines. Employed solely as an actor in this film, he told Billy Wilder at the start of filming that if he ever forgot his lines, he would present Wilder with a jar of caviar. Wilder later told interviewers that he soon had dozens of such jars.

William Holden's acceptance speech for Best Actor was the shortest in Academy history up until that time. He said only two words: "Thank You." Holden hadn't meant to be so brief, but the televised TV broadcast of the Academy Awards ceremony was running long, and was about to be cut off the air. Holden later took out an ad in the Hollywood trade publications thanking the people he had intended to thank in his speech. The briefness of Holden's speech was later surpassed by Alfred Hitchcock (who accepted his Irving Thalberg Award in 1967 with a simple "Thanks.") and by John Mills, who after playing a mute character in Ryan's Daughter (1970), accepted his 1971 Best Supporting Actor award with a simple smile and a thankful nod of the head.

According to the Virgin Film Guide, Otto Preminger's POW Camp Commandant character Colonel von Scherbach in this film is reminiscent of Erich von Stroheim's similar character, prison camp commandant Captain von Rauffenstein in Jean Renoir's, La Grande Illusion (1937). Although Preminger played a Nazi officer, in real life he was Jewish, as was Erich von Stroheim.

Normally the German military assigned staff officers to command oflags (prison camps for enemy officers), while captains, or the equivalent outside the Wehrmacht and the Luftwaffe, commanded stalags for enlisted enemy soldiers. It was quite unusual, therefore, for Stalag 17 to have been commanded by a colonel such as Von Scherbach.



Friday, 11 July 2014



FILM 1170: LA GRANDE ILLUSION

TRIVIA: This is the first film in the prestigious Criterion Collection (spine #1).

Goebbels made sure that the film's print was one of the first things seized by the Germans when they occupied France. He referred to Jean Renoir as "Cinematic Public Enemy Number 1". For many years it was assumed that the film had been destroyed in an Allied air raid in 1942. However, a German film archivist named Frank Hansel, then a Nazi officer in Paris, had actually smuggled it back to Berlin. Then when the Russians entered Berlin in 1945, the film found its way to an archive in Moscow. When Jean Renoir came to restore his film in the 1960s, he knew nothing of Hansel's acquisition and was working from an old muddy print. Purely by coincidence at the same time, the Russian archive swapped some material with an archive in Toulouse. Included in that exchange was the original negative print. However, because so many prints of the film existed at the time, it would be another 30 years before anyone realised that the version in Toulouse was actually the original negative.

The little girl who played "Lotte" never saw the film, having died of the flu some weeks before the film was released.

The uniform worn by Jean Gabin was actually owned and worn by Jean Renoir, who served in the air force during WWI.

The movie title "La Grande Illusion" is a reference to the pre-war book "The Great Illusion" by Norman Angell, which argued that war was outmoded, unscientific, and absurd. Though little-known today, it was a tremendous sensation when first published in 1913, and was often cited as evidence that a long European war "could not happen". Renoir aptly picks the title for his own work, knowing that his audience would recognize the reference.

The first foreign language film to be nominated for an Academy Award for Best Picture (French).

Frequently cited by Woody Allen as the finest picture ever made.

This pacifist war film shows no combat at all.

Cited by actor Christopher Plummer as the film that brought him to tears more often than any other in his lifetime.


Jean Renoir had to work quickly in order to catch the winter snows before they melted. When they did, plaster was used instead.