FILM 1861: WAIT UNTIL DARK

FILM 1861: WAIT UNTIL DARK

TRIVIA: In an interview, Alan Arkin talked about the Oscar nominations he received for his early major film roles (The Russians Are Coming! The Russians Are Coming! (1966) and The Heart Is a Lonely Hunter (1968)). When asked if he was surprised that he was overlooked for "Wait Until Dark", his second movie, he replied: "You don't get nominated for being mean to Audrey Hepburn!"

During World War II, 16-year-old Audrey Hepburn was a volunteer nurse in a Dutch hospital. During the battle of Arnhem, Hepburn's hospital received many wounded Allied soldiers. One of the injured soldiers young Audrey helped nurse back to health was a young British paratrooper - and future director - named Terence Young who more than 20 years later directed Hepburn in Wait Until Dark (1967).

In his non-fiction book Danse Macabre, Stephen King declared this to be the scariest movie of all time and that Alan Arkin's performance "may be the greatest evocation of screen villainy ever."

As a way to get people to see the movie, the filmmakers made a print ad and cautionary trailer that read: 'During the last eight minutes of this picture the theatre will be darkened to the legal limit, to heighten the terror of the breathtaking climax which takes place in nearly total darkness on the screen. If there are sections where smoking is permitted, those patrons are respectfully requested not to jar the effect by lighting up during this sequence. And of course, no one will be seated at this time.' It worked and the film became a huge success because of it.

In order to create a sense of unease, the film's composer Henry Mancini had his two pianists, Pearl Kaufman and Jimmy Rowles, playing instruments tuned a quarter tone apart. Initially uncertain as to whether this novel approach would achieve the desired end, Mancini was reassured in short order, when, after just a few takes of the main title, Kaufman turned to him and said, 'Hank, can we please take a break? This is making me ill!' 'She made my day,' the composer recalled fondly. 'The device was working.'

A revival of the play, directed by Leonard Foglia, opened on April 5, 1998 at the Brooks Atkinson Theatre, where it ran for 97 performances. The cast included Marisa Tomei, Quentin Tarantino, and Stephen Lang.

This film was ranked #55 on AFI's '100 Years, 100 Thrills' special.

FILM 1354: PITCH BLACK

TRIVIA: The contact lenses Vin Diesel wore in the movie, while a prototype during production, were briefly available to the public from Lens Quest following the release of the film. They were called Shine Job, like in the movie.

The contacts that Vin Diesel wore to play Riddick were a prototype. After the first day of filming, when they tried to remove the contact lenses, they couldn't. Due to where they were filming, they had to have an optometrist flown in from the nearest town, three hours away. Diesel called the contacts hubcaps.

In one of the shots showing cargo pods being jettisoned from the ship before the crash, one of the pods is numbered '2E', a jokey reference to the director's name ('Dave Twohy') from the effects crew.

Although Riddick narrates the beginning of the story, his first dialogue with another character (Carolyn) does not occur until almost thirty minutes into the movie.