Hello to everyone who has been following this blog for many years - I'm still blogging, I'm just moving over to https://www.claireheffer.com/blog - please continue to follow and let me take this opportunity to thank everyone who has been kind enough to visit over the years. May the lists continue...
Showing posts with label factory. Show all posts
Showing posts with label factory. Show all posts

Sunday, 17 January 2016



FILM 1456: MODERN TIMES

TRIVIA: Discounting later parodies and novelty films, this was the last major American film to make use of silent film conventions such as title cards for dialogue. The very last dialogue title card of this film (and thus, it can be said, the entire silent era) belongs to The Tramp, who says "Buck up - never say die! We'll get along."

Charles Chaplin allows the Tramp to speak on camera for the first time during the restaurant scene, but insisted that what the Tramp says be universal. Therefore, the song the Tramp sings is in gibberish, but it is possible to follow the story he tells by watching his hand gestures.

This was one of the films which, because of its political sentiments, convinced the House Un-American Activities Committee that Charles Chaplin was a Communist, a charge he adamantly denied.

Charles Chaplin devoted eight days to filming the department store roller-skating scene where he skates blindfolded on the edge of the fourth floor, coming within inches of falling over the edge into the deep stairwell below. The dangerous large drop was actually a painted scene on a pane of glass carefully placed in front of the camera to align with the existing set and create the illusion of great height.

A full dialogue script was written for the film, as Charles Chaplin had intended to make a complete talkie. According to a documentary on the DVD release, Chaplin went so far as to film a scene with full dialogue before deciding instead to make a partial talkie.

According to some accounts, working together on the film put a strain on Charles Chaplin and Paulette Goddard's relationship. Contrary to the way young actresses were presented on screen, Paulette was to wear shabby clothing and no make-up as the Gamin. When she showed up for filming with her hair beautifully coiffed, he dumped a bucket of water over her head.

Although filmmaking had become the province of large teams of highly specialized technicians, Charles Chaplin resisted delegating tasks, involving himself in every aspect of production, even to the point of blowing bubbles in a pail of water to simulate stomach-grumbling sounds.




Friday, 3 October 2014



FILM 1218: TOYS

TRIVIA: Jamie Foxx's film debut.

Robin Williams states that dying his hair orange, and the costume he wore, made him feel like The Sixth Doctor in Doctor Who (1963).

It took director Barry Levinson over 10 years to develop the film. It took 10 months to shoot.

Much of the look draws its inspiration from surrealist painter René Magritte. This is most obvious in the break in scene where Leslie and Alsatia pretend they're doing a music video featuring raining men in the background.

The scene where General Zevo is trying to kill a fly with his gun is a reference to a Confucius quote: "Never use a cannon to kill a fly."

As of May, 2001 the Zevo Tombstone (the stone elephant) resides at Planet Hollywood in Niagara Falls, Ontario, Canada.


The words used by the General in an attempt to stop the rampaging sea creature are "Klaatu, Barada, Nikto", the same words used to command the robot Gort in The Day the Earth Stood Still (1951).

Monday, 5 May 2014



FILM 1158: ROGER & ME

TRIVIA: The unnamed San Francisco left-wing magazine that Moore goes to work for at the beginning of film is Mother Jones. Moore worked for the magazine for three months in 1985 before being fired for putting his friend on the cover. Moore sued the magazine for contract breech, and used the money he won in the settlement to partially fund Roger & Me (1989).

This is the only movie where there has been a successful lawsuit against Michael Moore - filed by former friend Larry Stecco who successfully argued that his portrayal in the movie was not an accurate reflection of his character ("False light invasion of privacy" is the legal term) and won. Stecco was interviewed attending a society fund raising ball and was made out to be a high-society rich pig who partied while people where starving outside. He was actually a lawyer who worked pro-bono for the poorer residents of Flint.


In a radio interview, Michael Moore felt this film was a failure, since it did not stimulate any interest in development or investment to the town of Flint.