Hello to everyone who has been following this blog for many years - I'm still blogging, I'm just moving over to https://www.claireheffer.com/blog - please continue to follow and let me take this opportunity to thank everyone who has been kind enough to visit over the years. May the lists continue...
Showing posts with label factory. Show all posts
Showing posts with label factory. Show all posts
Thursday, 23 August 2018
Labels:
architecture,
books,
cement,
curtains,
decor,
factory,
industrial,
interior,
library,
light,
living area,
nature,
plants,
Ricardo bofill,
Scale,
space
Sunday, 17 January 2016
FILM 1456: MODERN TIMES
TRIVIA: Discounting later parodies
and novelty films, this was the last major American film to make use of silent
film conventions such as title cards for dialogue. The very last dialogue title
card of this film (and thus, it can be said, the entire silent era) belongs to
The Tramp, who says "Buck up - never say die! We'll get along."
Charles Chaplin allows the
Tramp to speak on camera for the first time during the restaurant scene, but
insisted that what the Tramp says be universal. Therefore, the song the Tramp
sings is in gibberish, but it is possible to follow the story he tells by
watching his hand gestures.
This was one of the films which,
because of its political sentiments, convinced the House Un-American Activities
Committee that Charles
Chaplin was a Communist, a charge he adamantly denied.
Charles Chaplin devoted
eight days to filming the department store roller-skating scene where he skates
blindfolded on the edge of the fourth floor, coming within inches of falling
over the edge into the deep stairwell below. The dangerous large drop was
actually a painted scene on a pane of glass carefully placed in front of the
camera to align with the existing set and create the illusion of great height.
A full dialogue script was written
for the film, as Charles
Chaplin had intended to make a complete talkie. According to a
documentary on the DVD release, Chaplin went so far as to film a scene with
full dialogue before deciding instead to make a partial talkie.
According to some accounts, working
together on the film put a strain on Charles Chaplin and Paulette Goddard's
relationship. Contrary to the way young actresses were presented on screen,
Paulette was to wear shabby clothing and no make-up as the Gamin. When she
showed up for filming with her hair beautifully coiffed, he dumped a bucket of
water over her head.
Although filmmaking had become the
province of large teams of highly specialized technicians, Charles Chaplin resisted
delegating tasks, involving himself in every aspect of production, even to the
point of blowing bubbles in a pail of water to simulate stomach-grumbling
sounds.
Labels:
black and white,
chaplin,
factory,
film,
film list,
movie,
poor,
prison,
restaurant,
silent,
slapstick,
tramp,
unemployment
Friday, 3 October 2014
FILM 1218: TOYS
TRIVIA: Jamie Foxx's film debut.
Robin Williams states that
dying his hair orange, and the costume he wore, made him feel like The Sixth
Doctor in Doctor Who
(1963).
It took director Barry Levinson over 10
years to develop the film. It took 10 months to shoot.
Much of the look draws its
inspiration from surrealist painter René Magritte.
This is most obvious in the break in scene where Leslie and Alsatia pretend
they're doing a music video featuring raining men in the background.
The scene where General Zevo is
trying to kill a fly with his gun is a reference to a Confucius quote:
"Never use a cannon to kill a fly."
As of May, 2001 the Zevo Tombstone
(the stone elephant) resides at Planet Hollywood in Niagara Falls, Ontario,
Canada.
The words used by the General in an
attempt to stop the rampaging sea creature are "Klaatu, Barada,
Nikto", the same words used to command the robot Gort in The Day the Earth Stood Still
(1951).
Monday, 5 May 2014
FILM 1158: ROGER & ME
TRIVIA: The unnamed San Francisco
left-wing magazine that Moore goes to work for at the beginning of film is
Mother Jones. Moore worked for the magazine for three months in 1985 before
being fired for putting his friend on the cover. Moore sued the magazine for
contract breech, and used the money he won in the settlement to partially fund Roger & Me (1989).
This is the only movie where there
has been a successful lawsuit against Michael Moore - filed by
former friend Larry Stecco who successfully argued that his portrayal in the
movie was not an accurate reflection of his character ("False light
invasion of privacy" is the legal term) and won. Stecco was interviewed
attending a society fund raising ball and was made out to be a high-society
rich pig who partied while people where starving outside. He was actually a
lawyer who worked pro-bono for the poorer residents of Flint.
In a radio interview, Michael Moore felt this
film was a failure, since it did not stimulate any interest in development or
investment to the town of Flint.
Labels:
city,
closures,
documentary,
factory,
film,
film list,
jobs,
michel moore,
town,
unemployment
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