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FILM 1886: MISSION: IMPOSSIBLE - FALLOUT

FILM 1886: MISSION: IMPOSSIBLE - FALLOUT 

TRIVIA: Tom Cruise trained for an entire year to perform the HALO (High Altitude Low Opening) stunt in this film.

The H.A.L.O skydiving sequence (distance of 7 km / 25000 feet, traveling speed of 265 - 320 km/h) was the last sequence filmed during production, but it was the first stunt designed and required a full year of planning out. The crew had only a limited time window of three minutes a day during sunset to film a jump. Because of strict air aviation regulations in France, it could only be shot in the Emirates. It took Tom Cruise, Henry Cavill, the skydiving camera operator Craig O'Brien (who was instructed to keep a distance of three feet from Cruise while filming) and others involved a total of 106 jumps to get three possible takes. However, to rehearse the sequence, the crew built a custom oxygen helmet with RAF assistance that can be lit up to see a face, and then also built one of the world's largest wind tunnels for practice. The practice doesn't end there - Cruise and the other persons involved did five skydives a day with one in the morning, three in the afternoon, and one at dusk. Some of the other cast members turned up to visit, with Simon Pegg saying that he and his co-stars thought multiple times that Cruise was seriously about to die: "It is a daily stress going to work with him, because you don't know if you are going to see him tomorrow." 

White Widow (Vanessa Kirby) is introduced as she delivers a tribute speech to her late mother, is referred to only as "Max." and as a lover of paradoxes. While never clarified onscreen, this is likely reference to the first film in the series, which features a female British arms dealer also known only as Max (Vanessa Redgrave).

In August 2017, Tom Cruise suffered an injury while filming a stunt jumping from one building to another. He was able to grab onto the other building thanks to a harness strapped onto him and his history of performing his own stunts for action films, but his ankle fractured upon the impact of the jump. Cruise then got up and attempted to run it off, which was what the scene called for, before he and the crew decided to stop filming. Shooting was delayed for eight weeks following the injury, but the footage of the stunt used in the film and its trailers just so happened to be the actual injury.

Solomon Lane is the first villain in the franchise to appear in two films.

Simon Pegg got in such good shape while training in the gym for his action scenes that he got eight-pack abs for the first time in 25 years even though it wasn't required for his role at all. The actor is not an action star or known for his body and was teased on set by co-stars Tom Cruise and Henry Cavill, who actually are action stars and regularly show their eight-pack abs in films. They nick-named Pegg 'Eight-Pack Peggles' due to his new found abs. Cruise said, "Six-Pack Peggles I call him! He had an amazing eight-pack going on. He's almost like Eight-Pack Peggles." Pegg responded to the good-natured teasing saying, "To be fair it was a six-pack, it wasn't quite an eight-pack. I think one morning, after training, my abs made an appearance for the first time since I was 23. You have to be in shape to do these movies and I put my mind to it. It's nice to know that I can still show out if I need to. My wife appreciates it!"

A clause stipulated in Henry Cavill's contract forbade him from shaving his beard required for the role. During production, the producers received a phone call from Justice League producer Charles Roven requesting Cavill back for some reshoots for his role as Superman. Co-producer Jake Myers suggested letting Cavill shave his beard, shutting down production while he does his reshoots and then getting Warner Bros to pay $3 million for additional visual effects (digital moustache) on shots of Cavill after completing his Superman reshoots. Paramount got wind of the idea and shot it down immediately through the clause.

During the Empire Podcast, director Christopher McQuarrie revealed that he provides the authoritative voice in the initial mission briefing.

Rescuing another person in free fall while sky diving is very difficult. Hewitt says that "it takes Accelerated Free Fall instructors over 1,000 jumps to get it right and something like 70% of the people who try to qualify at the instructor level fail. Tom had just 100 jumps to perfect this."

The Paris chase scenes involved stuntmen in 70 cars driving to avoid Cruise who was riding his motorcycle against traffic without a helmet at extremely high speeds.

The musical composer on "Fallout" is Lorne Balfe, but the iconic "Mission: Impossible" theme was written by Lalo Schifrin. He wrote it in just 3 minutes. When asked why he wrote it in the unusual time signature of 5/4, he joked at a press conference in Vienna, "Everybody knows that there have been beams from outer space coming because of interplanetary flights. The people in outer space have five legs and couldn't dance to our music, so I wrote this for them."

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BOOK 188: THE ELEGANCE OF THE HEDGEHOG: MURIEL BARBERY

BOOK 188: THE ELEGANCE OF THE HEDGEHOG: MURIEL BARBERY

The Elegance of the Hedgehog (French: L'Élégance du hérisson) is a novel by the French novelist and philosophy teacher Muriel Barbery. The book follows events in the life of a concierge, Renée Michel, whose deliberately concealed intelligence is uncovered by an unstable but intellectually precocious girl named Paloma Josse. Paloma is the daughter of an upper-class family living in the upscale Parisian apartment building where Renée works.

Featuring a number of erudite characters, The Elegance of the Hedgehog is full of allusions to literary works, music, films, and paintings. It incorporates themes relating to philosophy, class consciousness, and personal conflict. The events and ideas of the novel are presented through the thoughts and reactions, interleaved throughout the novel, of two narrators, Renée and Paloma. The changes of narrator are marked by switches of typeface. In the case of Paloma, the narration takes the form of her written journal entries and other philosophical reflections; Renée's story is also told in the first person but more novelistically and in the present tense.

First released in August 2006 by Gallimard, the novel became a publishing success in France the following year, selling over two million copies. It has been translated into more than forty languages, and published in numerous countries outside France, including the United Kingdom (Gallic Books, London) and the United States (Europa Editions, New York), and has attracted critical praise.

CRITICAL REVIEWS

The Elegance of the Hedgehog was well received by critics. In the earliest known review, for the Italian newspaper La Repubblica, Maurizio Bono writes that "[t]he formula that made more than half a million readers in France fall in love with [The Elegance of the Hedgehog] has, among other ingredients: intelligent humor, fine sentiments, an excellent literary and philosophical backdrop, taste that is sophisticated but substantial" French magazine Ellereviewer Natalie Aspesi pronounced it one of "the most exhilarating and extraordinary novels in recent years". Aspesi, however, tagged the novel's title as "most curious and least appealing". Praising the novel in his review for The Guardian, Ian Samson wrote that "The Elegance of the Hedgehog aspires to be great and pretends to philosophy: it is, at least, charming." In an earlier review in the same paper, Groskop opined that the novel is a "profound but accessible book ... which elegantly treads the line between literary and commercial fiction". She added that "clever, informative and moving, it is essentially a crash course in philosophy interwoven with a platonic love story". A review in The Telegraph conjectured that "[i]f [the novel were] a piece of furniture, it would be an IKEA bestseller: popular, but not likely to be passed down the generations". A review in The Times Literary Supplement went further, calling the book "pretentious and cynical, with barely any story. It reads more like a tract than a novel, but lacks even a tract's certainty of purpose. The characters are problematic: most are puppets, and those that aren’t are stereotypes".

Michael Dirda of The Washington Post complimented Barbery, saying, "Certainly, the intelligent Muriel Barbery has served readers well by giving us the gently satirical, exceptionally winning and inevitably bittersweet Elegance of the Hedgehog." Louise McCready of The New York Observer praised Anderson's translation of the novel as "smooth and accurate". Caryn James of The New York Times hailed the novel as "studied yet appealing commercial hit", adding that it "belongs to a distinct subgenre: the accessible book that flatters readers with its intellectual veneer".[7] Los Angeles Times' Susan Salter Reynolds wrote that "[The Elegance of the Hedgehog] is a high-wire performance; its characters teeter on the surreal edge of normalcy. Their efforts to conceal their true natures, the pressures of the solitary mind, make the book hum".

FILM ADAPTATION

The novel was adapted into a film The Hedgehog (Le hérisson) released in France in July 2009, starring Josiane Balasko as Renée Michel, Garance Le Guillermic as Paloma Josse, and Togo Igawa as Kakuro Ozu, with a score by Gabriel Yared. The rights for the film were bought by NeoClassics Film and it was released by the company in America on 19 August. Its reception at festivals was positive and it won the Filmfest DC 2011, the Best of Fest Palm Springs 2011, the Seattle International Film Festival 2010, and the 2010 Col-Coa Film Festival. Moira Macdonald of The Seattle Times called it "Whimsical and touching... Mona Achache's adaptation is wistful perfection". Stephen Holden of The New York Times said it "suggests a sort of Gallic Harold and Maude".

http://viennawedekind.com/2017/11/21/jean-charles-tomas-paris-home/

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BOOK 180: JOURNEY TO THE END OF THE NIGHT: LOUIS-FERDINAND CÉLINE

LITERARY STYLE: Céline's first novel is probably most remarkable for its style. Céline makes extensive use of ellipsisand hyperbole. His writing has the flow of natural speech patterns and uses the vernacular, while also employing more erudite elements. This has influenced French literature considerably. The novel enjoyed popular success and a fair amount of critical acclaim when it was published in October 1932. Albert Thibaudet, perhaps the greatest of the entre-deux-guerres critics, said that in January 1933 it was still a common topic of conversation at dinner parties in Paris.

INFLUENCE AND LEGACY: Paolo Sorrentino's 2013 film The Great Beauty (La grande bellezza) opens with a quote from Journey to the End of the Night. The film concludes with a visual of the last paragraph of the book, passing under bridges, arches, and locks along the city's river.

Will Self has written that Journey to the End of the Night "is the novel, perhaps more than any other, that inspired me to write fiction".

The song "End of the Night" by The Doors references this book, as it had a great influence on the work of Jim Morrison.

Charles Bukowski makes reference to Journey in a number of his novels and short stories, and employs prose techniques borrowed from Céline. Bukowski wrote in Notes of a Dirty Old Man that "Céline was the greatest writer of 2000 years".

Céline's literary style greatly influenced Joseph Heller's Catch-22.

In Jean-Luc Godard's 1965 dystopian science fiction film Alphaville, protagonist Lemmy Caution dismisses a taxi driver's offer of route options to his destination by stating that he is on "a journey to the end of the night". The film depicts the use of poetry as a weapon against a sentient computer system.

MY VERDICT:

I can understand why this is cited as a great novel, however I did not enjoy it at all. This book probably, of all the books I’ve ever read, took me the longest to complete. The only reason I can give, is because of the disheartening subject matter that although travelling around the world to many different situations almost each one was more, or as, depressing as the last. There is no hope is this book, no humour, no let up, and because of that I found it difficult to get through. The protagonist is more unlikable the longer the story progresses and I found it hard to sympathize with him even when he was in sympathetic situations. I can see that it is well written, I believe there’s no argument on that part, but above all I want to be able to enjoy reading a book and I did not enjoy one part of this.

http://cupofjo.com/2016/12/paris-apartment-tour-sezane-morgane-sezalory/#more-111299

http://frenchbydesignblog.com/2016/11/renovated-paris-apartment.html

BOOK 160: GIOVANNI'S ROOM: JAMES BALDWIN

The book focuses on the events in the life of an American man living in Paris and his feelings and frustrations with his relationships with other men in his life, particularly an Italian bartender named Giovanni whom he meets at a Parisian gay bar.

Giovanni's Room is noteworthy for bringing complex representations of homosexuality and bisexuality to a reading public with empathy and artistry, thereby fostering a broader public discourse of issues regarding same-sex desire.

Baldwin admitted that his publisher first told him to "burn" the book because the theme of homosexuality would alienate him from his readership among black people. However, upon publication critics tended not to be so harsh thanks to Baldwin's standing as a writer. Giovanni's Room was ranked number 2 on a list of the best 100 gay and lesbian novels compiled by The Publishing Triangle in 1999.

(Information from: https://en.wikipedia.org/wiki/Giovanni's_Room)

FILM 1595: BEFORE SUNSET

TRIVIA: The longest take is about 11 minutes long.

The man and woman that Celine speaks to in the courtyard of her apartment are played by Julie Delpy's real parents, Albert Delpy and Marie Pillet.

Though this movie was nominated for Best Adapted Screenplay, the screenplay is not based upon any existing text. However, the Academy rule book says that all sequels are adaptations.

Julie Delpy wrote and performed three songs for the soundtrack.

Since the film takes place during the mid-late afternoon, it was the only time of day director Richard Linklater would shoot the scenes in the film. He felt it added to the hyper reality of the film, and often relied on the actors to get perfect takes at the right time.

Shooting took a mere 15 days.

The film is notable for essentially taking place in real time, i.e. the time elapsed in the story is the run time of the film. In the fast-changing temperate Paris climate, this created challenges for the cinematographer Lee Daniel to match the colour and intensity of the skies and ambient light from scene to scene. The scenes were mostly shot in sequence, as they were still developing the screenplay.

In the movie, Jesse (Ethan Hawke) confesses to Celine (Julie Delpy) that he wrote a book about their meeting 9 years before, partially in the hope that she would read it, and re-establish contact with him. Like Before Sunrise (1995), this is based on events in director Richard Linklater's own life. He had once spent a night walking and talking around Philadelphia with a woman called Amy in 1989. Though they initially stayed in touch over the telephone, they lost contact eventually. In 1994, Linklater shot Before Sunrise (1995), based on his night with Amy. Like Jesse in "Before Sunset", Linklater was secretly hoping that Amy had heard of the movie, and would show up at the premiere, but she did not. When "Before Sunset" was released, she did not show up either. It wasn't until 2010, before Linklater started production on the second sequel, Before Midnight (2013), that a friend of Amy, who knew about their story, contacted Linklater to tell him that Amy had died in a motorcycle accident on May 9, 1994, at the age of 24, a few weeks before he started shooting Before Sunrise (1995).