FILM 1810: PHANTOM THREAD

FILM 1810: PHANTOM THREAD 

TRIVIA: Director Paul Thomas Anderson got the initial idea for the film while he was sick in bed one day. His wife, Maya Rudolph, was tending to him and gave him a look that made him realize that she had not looked at him with such tenderness and love in a long time.

In preparation for the film, Daniel Day-Lewis watched archival footage of 1940s and 1950s fashion shows, studied famous designers, consulted with the curator of fashion and textiles at the Victoria and Albert Museum in London, and apprenticed under Marc Happel, head of the costume department at the New York City Ballet. He also learned how to sew, and he practiced on his wife Rebecca Miller, trying to recreate a Balenciaga sheath dress that was inspired by a school uniform.

Director Paul Thomas Anderson said his favorite line in the film was, "The tea is going out; the interruption is staying right here with me."

Vicky Krieps did not meet Daniel Day-Lewis until her first day on set. As Day-Lewis famously stays in character during production of his films, Krieps was instructed to refer to him as "Reynolds" for the duration of filming. In multiple interviews promoting the film, Krieps still referred to Day-Lewis as "Reynolds."

There are 90 minutes of Jonny Greenwood's score used during the 130 minute running time of "Phantom Thread" . Greenwood says he was influenced by the works of Nelson Riddle and Glenn Gould from the 50's.

Shooting on this film was completed on April 26, 2017, the same day that Paul Thomas Anderson's close friend and mentor Jonathan Demme passed away from cancer. The film is dedicated to Demme.

This was the fourth collaboration between director Paul Thomas Anderson and film composer Jonny Greenwood.

Reynolds Woodcock's Bristol 405 is exactly the same car as driven by David Goldman (Peter Sarsgaard) in An Education (2009): registration WDF 964.

The typeface used for the credits is called Reynolds Stone and it was created by the English wood engraver, typographer, and designer Reynolds Stone, who was a close friend of the parents of Daniel Day-Lewis. When Paul Thomas Anderson and Daniel Day-Lewis were devising the character of Reynolds Woodcock, they agreed that they wanted the film to have a sort of "Reynolds Stone look," and the character's name, Reynolds Woodcock, was partly inspired by this as well.

FILM 1756: THE SHAPE OF WATER

FILM 1756: THE SHAPE OF WATER

TRIVIA: When "The Shape of Water" premiered at the Toronto International Film Festival in 2017, the screening was held in the Elgin Theatre. The interior scenes of the theater in the film were shot in the Elgin Theatre, so as the audience was watching the film, they were seeing the same theater on screen that they were sitting in.

Director Guillermo del Toro said about Sally Hawkins, "Not only was she the first choice, she was the only choice. I wrote the movie for Sally, I wrote the movie for Michael [Shannon]... Sally is - I wanted the character of Elisa to be beautiful, in her own way, not in a way that is like a perfume commercial kind of way. That you could believe that this character, this woman would be sitting next to you on the bus. But at the same time she would have a luminosity, a beauty, almost magical, ethereal."

Guillermo Del Toro wrote lengthy backstories for each of the major characters, some of them allegedly running over 40 pages long. After casting the roles, he offered them to the actors and said they could choose to utilize or ignore the backstories for their own character. The actors responded differently, with Richard Jenkins saying he ignored the backstory, stating "the only thing that matters is what happens on screen", while Michael Stuhlbarg said he read the backstory voraciously and found it helpful in his performance.

The creature design is heavily inspired by the film The Creature from the Black Lagoon (1954). Michael Shannon's character even says they picked it up in a river in South America, which is the setting of The Creature from the film.

One day after completing her demanding underwater scenes for this film, Sally Hawkins had to fly to London, England, to begin production on Paddington 2. Only to find out she would have to shoot underwater scenes for that film on the first day of filming.

The last name of the main character Elisa Esposito is of Italian origin, and is given to children who were abandoned or exposed.

After seeing the trailer, Kevin Smith tweeted, "Seeing something as beautiful as this makes me feel stupid for ever calling myself a 'Director.'"

One of Octavia Spencer's favorite things about the screenplay was the fact that, by letting the main couple be mute, most of the dialogue comes from a black woman and a closeted gay man. In real life, they would both have experienced oppression during the 1960s setting of the film.

Most of the characters were written with the actors in mind. Octavia Spencer said her character was reminiscent of a collaboration between her roles in The Help (2011) and Hidden Figures (2016), and that she "would have played the desk if Guillermo del Torohad asked me to."

The poem in the film is by the Persian poet Rumi : "Unable to perceive the shape of you, I find you all around me. Your presence fills my eyes with your love, it humbles my heart, for you are everywhere."

Despite visual similarities, director Guillermo del Toro denied that this film has any connections to Hellboy (2004).

FILM 1746: HOW TO MARRY A MILLIONAIRE

FILM 1746: HOW TO MARRY A MILLIONAIRE

TRIVIA: Lauren Bacall's character, Schatze, says, "I've always liked older men... Look at that old fellow what's-his-name in The African Queen (1951). Absolutely crazy about him." She is referring to Bacall's then real-life husband, Humphrey Bogart.

According to Lauren Bacall, Marilyn Monroe was a challenge to work with. It wasn't because she was unpleasant, but rather her insecurity and total dependence on her personal acting coach Natasha Lytess for approval. "Betty Grable was a funny, outgoing woman, totally professional and easy. Marilyn was frightened, insecure - trusted only her coach and was always late. During our scenes she'd look at my forehead instead of my eyes; at the end of a take, look to her coach, standing behind Jean Negulesco, for approval. If the headshake was no, she'd insist on another take. A scene often went to fifteen or more takes, which meant I'd have to be good in all of them as no one knew which one would be used. Not easy - often irritating. And yet I couldn't dislike Marilyn. She had no meanness in her - no bitchery. She just had to concentrate on herself and the people who were there only for her."

Writer and humorist Dorothy Parker's famous quip that "men seldom make passes at girls who wear glasses" was purposely bobbled by screenwriter (and producer) Nunnally Johnson for Marilyn Monroe's character Pola to assert to David Wayne (as Freddie) that "you know, men aren't attentive to girls who wear glasses."

Before becoming a major Hollywood success, Lauren Bacall worked as a model for several years of her teenage life while auditioning for roles on Broadway. The modeling she did is exactly like that of her character Ms. Paige, showing pieces for clients.

FILM 1719: THE BAD AND THE BEAUTIFUL

TRIVIA: At 9 minutes and 32 seconds, Gloria Grahame's performance in this movie became the shortest to ever win an Oscar. She held the record until 1976, when Beatrice Straight won for her 5 minute performance in Network (1976).

The character of Shields is regarded as a mixture of producer David O. Selznick, Orson Welles and producer Val Lewton. Georgia, the alcoholic daughter of an iconic actor, is very clearly based on Diana Barrymore. Bartlow, the college professor turned best-selling author turned screenwriter, is thought to be based on Paul Green, a UNC professor who followed a similar career track. Gilbert Roland's appearance as "Gaucho" is seen as a self-parody; the Mexican-born actor, once a star in silent dramas, had just appeared as "The Cisco Kid" in a string of "B" westerns.

To somewhat soften the depiction of Shields, Vincente Minnelli cut a scene in which he accepts the Best Picture Oscar® for the film whose idea he had stolen from his best friend. In the scene, Shields devotes most of his speech to his late father, then makes only a brief mention of his friend at the end.

Vincente Minnelli was so impressed by Ned Glass' performance as the wardrobe man, he kept expanding his role. After two days of shooting, he still needed a close-up of Glass, but the next day the actor did not show up. Having failed to do a thorough background check before shooting started, MGM had hired Glass without realizing he had been blacklisted. The night before his final shot, studio security had called to inform him he would not be allowed on the lot. After a hasty conference with studio executives, MGM decided they would rather ignore the blacklist than pay the $20,000 to $30,000 it would require to re-shoot the key scene.

Concerned about Lana Turner's insecurities and talk of her limited acting abilities, Vincente Minnelli got her through her first scene by telling her that every retake was the result of somebody else's problem. Through gentle coaching he got a strong performance out of her while also keeping her confidence intact.

Kirk Douglas was highly interested in Lana Turner during the shooting, but he could not do anything because of the Fernando Lamas' presence, Lana Turner's boyfriend.

Lana Turner plays an actress whose career started as a movie extra. Turner started her own career as an extra in A Star Is Born (1937).

The motto under the SHIELDS Pictures Inc coat-of-arms is "NON SANS DROIT". This was the same motto used by Shakespeare and means "Not without right".

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.

FILM 1716: THE WRONG MAN

TRIVIA: The scene where Henry ("Manny") Fonda is taken to prison was filmed in a real prison. As he is led to his cell , you can hear one of the inmates yell out "What'd they get ya for, Henry??", and a bunch of other prisoners laughing.

Alfred Hitchcock filmed one of his usual cameos, standing in a restaurant as Manny sits, but decided on using a narrated prologue instead.

Although based on a true story, Alfred Hitchcock deliberately left out some of the information that pointed to Manny's innocence to heighten the tension.

This marked the only time Henry Fonda worked with director Alfred Hitchcock. Fonda's close friend James Stewart worked with Hitchcock 4 times.

In the opening scene, it shows Manny (Henry Fonda) playing his bass viol. Seated at the piano, next to him is the pianist/conductor who tags the final note played. This is in reality Betnard Herrmann, the composer and conductor for many Hitchcock movies and many other Hollywood films of that era.

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.