Hello to everyone who has been following this blog for many years - I'm still blogging, I'm just moving over to https://www.claireheffer.com/blog - please continue to follow and let me take this opportunity to thank everyone who has been kind enough to visit over the years. May the lists continue...
Showing posts with label lauren bacall. Show all posts
Showing posts with label lauren bacall. Show all posts

Sunday, 4 February 2018

FILM 1746: HOW TO MARRY A MILLIONAIRE



FILM 1746: HOW TO MARRY A MILLIONAIRE

TRIVIA: Lauren Bacall's character, Schatze, says, "I've always liked older men... Look at that old fellow what's-his-name in The African Queen (1951). Absolutely crazy about him." She is referring to Bacall's then real-life husband, Humphrey Bogart.

According to Lauren BacallMarilyn Monroe was a challenge to work with. It wasn't because she was unpleasant, but rather her insecurity and total dependence on her personal acting coach Natasha Lytess for approval. "Betty Grable was a funny, outgoing woman, totally professional and easy. Marilyn was frightened, insecure - trusted only her coach and was always late. During our scenes she'd look at my forehead instead of my eyes; at the end of a take, look to her coach, standing behind Jean Negulesco, for approval. If the headshake was no, she'd insist on another take. A scene often went to fifteen or more takes, which meant I'd have to be good in all of them as no one knew which one would be used. Not easy - often irritating. And yet I couldn't dislike Marilyn. She had no meanness in her - no bitchery. She just had to concentrate on herself and the people who were there only for her."

Writer and humorist Dorothy Parker's famous quip that "men seldom make passes at girls who wear glasses" was purposely bobbled by screenwriter (and producer) Nunnally Johnson for Marilyn Monroe's character Pola to assert to David Wayne (as Freddie) that "you know, men aren't attentive to girls who wear glasses."

Before becoming a major Hollywood success, Lauren Bacall worked as a model for several years of her teenage life while auditioning for roles on Broadway. The modeling she did is exactly like that of her character Ms. Paige, showing pieces for clients.



Sunday, 27 November 2016



FILM 1596: KEY LARGO

TRIVIA: In a classic case of a director being emotionally manipulative, John Huston informed Claire Trevor that they were to film her song that very day. Trevor was not a trained singer, and had not even rehearsed the song yet. She also felt very intimidated by the A-list actors seated directly in front of her. The result was a hesitant, nervous, uncomfortable rendition, exactly the feeling Huston was hoping to get.

In the film, James Temple describes the 1935 hurricane that devastated Matacumbe Key. This was one of worst hurricanes in U.S. history and many of the victims of the storm were World War I veterans who were building the Florida Keys portion of U.S. Highway 1, also known as the Overseas Highway. A portion of the highway is seen in the film's opening. The storm also produced the lowest-ever recorded barometric pressure over land in the North American continent.

The character of Johnny Rocco was modeled on Al Capone, who retired to Florida and died there of complications due to advanced syphilis a year before this film was produced. Screenwriter Richard Brooks later revealed he had also incorporated biographical details about another famous gangster, Lucky Luciano, into Rocco's character as well.

Fourth and final film pairing of Humphrey Bogart and his wife Lauren Bacall. A fifth film was planned several years later, but Bogart died before it could be made.

The ramshackle hotel where most of the drama unfolds was constructed on the Warner Bros. lot along with the beach area. Exterior shots of the hurricane were actually taken from stock footage used in Night Unto Night (1949), a Ronald Reagan melodrama made the same year at Warner Bros.

Apart from the opening shots, the movie was filmed entirely at Warner Bros. Studio head Jack L. Warner - still reeling from the cost of shooting John Huston's previous film, The Treasure of the Sierra Madre (1948), on location - refused to approve any more location filming for the director. The pier scenes were filmed using the studio tank with miniature boats in the background to give an illusion of depth. The shipboard shots at the end were also filmed using the studio tank, with fog used to mask the artifice.

Felipa Gómez, who played the Old Indian Woman, was born just five years after the U.S. Civil War ended.

When John Huston was scouting for locations on the Florida Keys, he asked a hotel owner where the storm cellar was. The man informed him that if you dug three feet down you would hit the ocean.



Sunday, 19 October 2014



… OF THE DAY

A busy day of drawing, more Hollywood stars, this one again took a lot longer than I thought but while I was working I watched a couple of films, a day filled with work but it didn’t feel like a chore.