FILM 1529: WILD TALES

TRIVIA: This is the seventh film from Argentina to be nominated for an Academy Award for Best Foreign Language Film, and the third in a row with Ricardo Darín as a leading star (after Son of the Bride (2001) and The Secret in Their Eyes (2009)).

The site of the bridge, in which the tale "The Strongest" was filmed, is actually the 60th kilometer on the route between Cafayate and Salta, as the character in the tale mentions. This place has become a kind of a tourist attraction nowadays, as can be seen in Google Street View at coordinates (-25.730669,-65.6967926).

During the credits at the beginning, each main actor of each tale is identified with a wild animal. In the director's case, it is a fox. Szifrón said that this was because his father had liked foxes a lot, and had used to watch lots of documentaries about them. He also felt identified with that picture, more specifically with the fox's gaze, as the job of a director is in the gaze.

Damián Szifrón, the writer and director of the film, wrote most of the tales in his bathtub. He actually said: " The bath is a great place". He even lit some candles and poured himself a drink.

Selected by Time as one of the best films of 2014.

https://www.behance.net/gallery/22779389/BROTHERS-GRIMMS-WANDERINGS

FILM 1231: THE BRIDGE ON THE RIVER KWAI

TRIVIA: Colonel Saito was inspired by Major Risaburo Saito, who unlike the character portrayed in the film was said by some to be one of the most reasonable and humane of all of the Japanese officers, usually willing to negotiate with the POWs in return for their labor. Such was the respect between Saito and Lieutenant-Colonel Toosey (a substitute Nicholson) that Toosey spoke up on Saito's behalf at the war-crimes tribunal after the war, saving him from the gallows. Ten years after Toosey's 1975 death, Saito made a pilgrimage to England to visit his grave.

During shooting, Alec Guinness continued to have doubts about his performance and the direction he was getting from David Lean. To put Guinness at ease, Lean decided to show the actor a rough cut of certain sequences. One night, Lean ran over an hour's worth of footage for Guinness with the actor's wife and son also attending. During the screening, nothing was said. At the end, the Guinness family thanked Lean and promptly walked out, leaving the director without a clue as to what to think of their reaction (or lack of). Later that night, Lean received a visit from his lead actor who told him that he and his family had decided that Nicholson was the best thing that Guinness had ever done.

For the scenes where William Holden, Jack Hawkins, Geoffrey Horne and the native girls had to wade through swamps, they were wading through specially created ones. The real swamps in Ceylon were deemed to be too dangerous. Nevertheless, the leeches in the recreated swamps were real.

There were no facilities on the island of Ceylon to process film rushes so the day's filming had to be flown to London to be processed and then flown back out to Ceylon.

Laurence Olivier was offered the part of Colonel Nicholson but turned it down in order to direct The Prince and the Showgirl (1957) instead. In retrospect, Olivier said that it was a sensible decision to go off and do love scenes with Marilyn Monroe rather than tough it out in the jungles of Ceylon with David Lean.

When the film was first released in theaters, Alec Guinness's name was misspelled in the opening credits, using only one 'n' in his surname. The error has since been corrected.

Howard Hawks was asked to direct, but declined. After the box-office failure of Land of the Pharaohs (1955), he didn't want a second one in a row, and he thought the critics would love this movie but the public would stay away. One particular concern was the all-male lead roles.

FILM 1223: THE GOOD, THE BAD AND THE UGLY

TRIVIA: Clint Eastwood wore the same poncho through all three "Man with No Name" movies without replacement or cleaning.

Because Sergio Leone spoke barely any English and Eli Wallach spoke barely any Italian, the two communicated in French.

Eli Wallach would have been decapitated during the train scene if he had lifted his head up. In the wide-shot, you can see the step that would have impacted his head.

Eli Wallach was almost poisoned on the set after drinking acid used to burn the bags filled with gold coin to make them rip open easier when struck with the spade. The acid had been poured into a lemon soda bottle and Wallach didn't know it. He drank a lot of milk and filmed the scene with a mouth full of sores.

The three man gunfight scene is called either a "Mexican standoff" or a truel (game theory). There are several mathematical papers covering the many complex outcomes of a truel. Other movies that use a truel are Reservoir Dogs (1992) and Pulp Fiction (1994).

The three principal actors are the only ones who speak actual English in the film: Clint Eastwood, Lee Van Cleef, Eli Wallach, with the exceptions of Al Mulock (the one-armed man) and John Bartha (the sheriff). Everyone else in the film is really speaking their native language, mostly Italian and Spanish, and was later dubbed into English.

When Blondie and Angel Eyes are traveling to the cemetery, Blondie shoots a skulker, then counts the number of people that will be traveling together. He says, "Six. A perfect number." In mathematics, a number is perfect if the sum of its factors (excluding itself) equals itself. Six is a perfect number because 1, 2, and 3 are factors and 1 + 2 + 3 = 6. (The next perfect number is 28.)

Director Trademark: Sergio Leone:  [Large circles covered in pave stones] 

http://honestlywtf.com/art/chris-turnham/

Film 1086: The Bridge

Trivia: The documentary caused significant controversy when Eric Steel revealed that he had tricked the Golden Gate Bridge committee into allowing him to film the bridge for months and had captured 23 suicides which took place during the filming phase of the project. In his permit application to the Golden Gate National Recreation Area Steel said he intended "to capture the powerful, spectacular intersection of monument and nature that takes place every day at the Golden Gate Bridge."

Steel interviewed relatives of the suicide victims, not informing them that he had footage of their loved ones' deaths. Later, he claimed that "the family members now, at this point, have seen the film, [and are] glad that they participated in it."

The filmmakers captured 23 of the 24 known Golden Gate suicides in 2004.

The film was inspired by an article entitled "Jumpers," written by Tad Friend appearing in The New Yorker magazine in 2003.