FILM 1873: THE WIZARD OF LIES

FILM 1873: THE WIZARD OF LIES

TRIVIA: In order to prepare for her role, Michelle Pfeiffer spent some time with the real Ruth Madoff.

This is one of two films focusing on Bernie Madoff. The other is Madoff (2016). Both films are television productions.

Pulitzer Prize-winning New York Times reporter Diana Henriques was the first to interview Bernie Madoff on August 24, 2010, after his incarceration on June 29, 2009. She plays herself in various scenes throughout this movie interviewing Madoff (Robert De Niro), and has said that the resemblance was so uncanny, she got goosebumps just sitting opposite him.

-The film's premiere drew 1.5 million viewers, making it HBO's largest premiere viewership for an HBO film in four years; additional replays and viewings through the network's streaming service brought the film's total viewers to 2.4 million for its premiere weekend.

FILM 1642: SCARLET STREET

TRIVIA: Twelve paintings done for the film by John Decker were sent to the Museum of Modern Art in New York City for exhibition in March of 1946.

One of Fritz Lang's personal favorites of his own films.

The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film.

According to Ben Mankiewicz on TCM, when first released, local censor boards in New York, Milwalkee and Atlanta banned this film entirely, for being "licentious, profane, obscure, and contrary to the good order of the community".

FILM 1585: THE LADY EVE

TRIVIA: Edith Head's first in a long line of costume designing for Barbara Stanwyck. The wedding gown caused a fashion sensation. So much so that it was copied for brides and called, "the Lady Eve dress."

Barbara Stanwyck and Henry Fonda rarely retired to their dressing rooms between takes. Instead, they hung out with Preston Sturges, listening to his stories and reviewing - and often re-writing - their lines.

With so many people on the set, Preston Sturges dressed eccentrically so that he would stand out. He usually wore either a brightly coloured beret or a hat with a feather in it. This sartorial splendour led to his being dubbed the worst-dressed man in Hollywood.

FILM 1329: ART AND CRAFT

When one of the most prolific art forgers in US history is finally exposed, he must confront the legacy of his 30-year con.

FILM 1183: THE STING

TRIVIA: The movie was filmed on the backlot of Universal studios and the diner in which Hooker meets Lonnegan is the same diner interior used in Back to the Future (1985) in which Marty McFly first meets his father and calls Doc Brown.

The rigged Black 22 at the roulette wheel, where Hooker loses the bet at the beginning of the movie, is the same spot that Rick Blaine uses for both Captain Renault and the Bulgarian couple to set them up to win in Casablanca.

Robert Shaw injured his knee and incorporated the resulting limp into his performance. According to "You'll Never Eat Lunch in This Town Again" by Julia Phillips, Shaw split all the ligaments in his knee after slipping on a wet handball court at the Beverly Hills Hotel a week before filming started. He had to wear a leg brace during production which was kept hidden under the wide 1930s style trousers he wore.

Edith Head won her 8th and final Best Costume Design Academy Award for this film. "Just imagine," she said during her acceptance speech. "Dressing the two handsomest men in the world and then getting this."

The gin that Paul Newman uses in the train scenes is Gordon's Gin, the same gin that Humphrey Bogart drinks on The African Queen.

Film 1096: American Hustle

Trivia: The fight scene that takes place in the bedroom between Christian Bale and Jennifer Lawrence is completely improvised. A version of it had been written in the script, but the actors were struggling to connect with it, so director David O. Russell ultimately decided to allow them to say what they wanted.

According to Christian Bale much of the movie was improvised. So, during the shooting of the film he noted to David O. Russell, "You realize that this is going to change the plot greatly down track." To which the director replied, "Christian, I hate plots. I am all about characters, that's it."

David O. Russell stated that Robert De Niro didn't recognize Christian Bale on the set even after they were introduced to each other. De Niro pulled Russell aside, pointed to Bale and asked who he was. First De Niro didn't believe it was Bale but after Russell convinced him of that De Niro noted, 'Wow, he looks really different", and nodded his head as a sign of approval. Russell then had to re-introduce the two now that De Niro knew who Bale was.

Christian Bale achieved the physical traits of his character by gaining over 40 pounds, getting a comb-over and slouching his posture and ended up herniating two of his disks in the process.

The film is a fictionalized telling of the Abscam (short for Arab scam) scandal of the late 1970s and early 1980s, an FBI operation that began as an investigation of trafficking in stolen property, but was later expanded to include political corruption.

David O. Russell wrote the characters of Christian Bale, Bradley Cooper, Amy Adams Jeremy Renner, Jennifer Lawrence, Louis C.K. and Robert De Niro expressly for each of the actors to play them.

David O. Russell developed and expanded the role of Rosalyn Rosenfeld specifically for Jennifer Lawrence, who drew inspiration as well as the accent for the character from watching The Real Housewives of New Jersey (2009). Rosalyn is based on Cynthia Marie Weinberg, the wife of Melvin Weinberg (who was the basis for Irving Rosenfeld).

In the early 1980s French director Louis Malle adapted the Abscam story into a film script entitled "Moon Over Miami", with Dan Aykroyd and John Belushi set to star, with Belushi playing a conman & Aykroyd playing an FBI agent, but Belushi's death in March 1982 scuttled plans for the film.