Hello to everyone who has been following this blog for many years - I'm still blogging, I'm just moving over to https://www.claireheffer.com/blog - please continue to follow and let me take this opportunity to thank everyone who has been kind enough to visit over the years. May the lists continue...
Showing posts with label director. Show all posts
Showing posts with label director. Show all posts

Saturday, 15 September 2018

FILM 1826: KING KONG



FILM 1826: KING KONG

TRIVIA: Grossed ninety thousand dollars its opening weekend, the biggest opening ever at the time.

The success of this film is often credited for saving R.K.O. Pictures from bankruptcy.

Merian C. Cooper's first vision for the film, was of a giant ape on top of the world's tallest building, fighting airplanes. He worked backward from there, to develop the rest of the story.

King Kong's roar was a lion's roar and a tiger's roar combined and run backwards, but slowly.

At around eighty minutes into the film, a man (LeRoy Mason) standing in line to see Kong complains to his lady companion, "These tickets cost me twenty bucks." At presumably ten dollars per ticket, this would have been a tremendous cost in Depression-wracked 1933. By contrast, a ticket to see the 1933 New York Yankees, which featured Babe Ruthand Lou Gehrig, or to this movie itself, would have been about 35 cents.

The one flaw that remains in the animation is the way Kong's fur seems to be moving constantly, showing where the animators had to grab the figure to move it. Though the animators would brush the fur constantly to hide their work, it still shows up in the finished film. Many other filmmakers who have used the same technique actually admire this flaw, because it shows that the work was done by skilled artists using their hands.

Executive Producer David O. Selznick left R.K.O. midway through production of this film. Selznick's last act of business at R.K.O., and probably his biggest contribution to the film, was to write a memo changing the name of the production from "Kong" to "King Kong".

The "Old Arabian Proverb" opening the film, was actually written by Merian C. Cooper.

Although many film historians insist that a spider pit scene was never shot, much less previewed, at least three production stills do exist showing the miniature ravine complete, with at least one spider and a crab creature, both of which are menacing miniature sailors. There was one person who claimed to have seen the first preview screening who said that the spider pit scene was in it, and the audience laughed at large bug-eyes on a spider model. He felt that this unintended laugh was the reason the scene stopped the film, and was cut.

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.



Saturday, 3 June 2017



BOOK 175: CARSICK: JOHN WATERS HITCHHIKES ACROSS AMERICA: JOHN WATERS

John Waters is putting his life on the line. Armed with wit, a pencil-thin mustache, and a cardboard sign that reads "I'm Not Psycho," he hitchhikes across America from Baltimore to San Francisco, braving lonely roads and treacherous drivers. But who should we be more worried about, the delicate film director with genteel manners or the unsuspecting travelers transporting the Pope of Trash?
Before he leaves for this bizarre adventure, Waters fantasizes about the best and worst possible scenarios: a friendly drug dealer hands over piles of cash to finance films with no questions asked, a demolition-derby driver makes a filthy sexual request in the middle of a race, a gun-toting drunk terrorizes and holds him hostage, and a Kansas vice squad entraps and throws him in jail. So what really happens when this cult legend sticks out his thumb and faces the open road? His real-life rides include a gentle eighty-one-year-old farmer who is convinced Waters is a hobo, an indie band on tour, and the perverse filmmaker's unexpected hero: a young, sandy-haired Republican in a Corvette.
Laced with subversive humor and warm intelligence, Carsick is an unforgettable vacation with a wickedly funny companion--and a celebration of America's weird, astonishing, and generous citizenry.

MY VERDICT: I am a big fan of John Waters, but I am afraid I was a little disappointed by this book.  I heard about it when he was interviewed for a radio show. He promoted it well and it instantly went on my ‘to read list’. The concept of a modern hitchhiking trip fascinated me. Unfortunately it wasn’t as interesting as it could have been and John knew it – which is why he filled a third of the book with a fictional account of the trip (twice). He wrote a short novella of the best possible thing that could happen on his trip and a novella of the worst. The concept is an interesting one and as a former art student I can say it has been blagged in the best possible way but from reading it you can clearly see he panicked that the book would not be long enough and added filler. The filler is well written and entertaining but it’s not what I signed up for and from reading other reviews I can tell other readers felt a little cheated too.



Tuesday, 23 May 2017



FILM 1647: YOU'RE NEXT

TRIVIA: Simon Barrett, the Tiger Mask Killer, is also the movie's screenwriter.

Both Joe Swanberg and Ti West, who play eldest brother Drake and Aimee's underground director boyfriend Tariq are two prominent mumblegore directors, a horror genre in which You're Next (2011) is also included.

The primary filming location was an antique home that had been empty for 12 years.



Wednesday, 1 March 2017



BOOK 168: HERZOG ON HERZOG: WERNER HERZOG

Most of what we've heard about Werner Herzog is untrue. The sheer number of false rumours and downright lies disseminated about the man and his films is truly astonishing. Yet Herzog's body of work is one of the most important in post-war European cinema. His international breakthrough came in 1973 with Aguirre, the Wrath of God, in which Klaus Kinski played a crazed Conquistador. For The Enigma of Kaspar Hauser, Herzog cast in the lead a man who had spent most of his life institutionalised, and two years later hypnotised his entire cast to make Heart of Glass. He rushed to an explosive volcanic Caribbean island to film La Soufrière, paid homage to F. W. Murnau in a terrifying remake of Nosferatu and in 1982 dragged a boat over a mountain in the Amazon jungle for Fitzcarraldo. More recently Herzog has made extraordinary 'documentary' films such as Little Dieter Needs to Fly. His place in cinema history is assured. Paul Cronin's volume consists of an invaluable set of career-length interviews with the German genius once hailed by Francois Truffaut as the most important film director alive. It provides a forum for Herzog's fascinating views on the things, ideas and people that have preoccupied him for so many years.


(Text from the back of the book)


Tuesday, 29 November 2016



FILM 1599: HITCHCOCK/TRUFFAUT 

TRIVIA: Kent Jones said that Brian De Palma declined to participate because of De Palma (2015): "...Noah Baumbach and Jake Paltrow just did a movie about him. They worked on that film for about 4 years. I asked [De Palma] and he said he wanted to save what he thought about Hitchcock for their movie." [2015]

Interpreter Helen Scott (1915-1987) is uncredited in this documentary although her voice is heard throughout. Born in New York, she was brought up in Paris where her father worked for the Associated Press. Decorated for her work on the Free France resistance radio in Brazzaville, Congo, during World War 2, she later worked for the French Film Office in New York and helped Truffaut when he needed help with communicating in English.

Kathryn Bigelow was asked to speak in this film but she declined saying she was "too shy".

Famous writer and screenwriter William Goldman feels that the book this film is about ruined Hitchcock as a filmmaker. He pointed out that it made Hitchcock self conscious and concerned with being an artist in a way that destroyed his ability to engage audiences and be the great director he had been up to that point.