FILM 1940: ED WOOD

FILM 1940: ED WOOD 

TRIVIA: This film cost more to produce than all of Edward D. Wood Jr.'s films put together.

Martin Landau's Academy Award for "Best Actor in a Supporting Role" for his portrayal of Bela Lugosi marked the first time in Oscar history that a performer in any category won for playing a movie star. A decade later, Cate Blanchett won a "Best Actress in a Supporting Role" Academy Award for her portrayal of Katharine Hepburn in The Aviator(2004).

Initially, Bela Lugosi, Jr. didn't want to see the film because he thought it wouldn't portray his father correctly, but upon further persuasion, he saw the film, and agreed that Martin Landau honored his father in the performance. The two later became friends.

Tim Burton said that he was drawn to the story because of the similarities between Edward D. Wood Jr.'s relationship with Bela Lugosi, and his own friendship with Vincent Price late in the actor's life.

Unhappy with Vincent D'Onofrio, Tim Burton had his voice dubbed by Maurice LaMarche.

The first film by Tim Burton to not feature Danny Elfman's music score.

Johnny Depp said that his characterization of Edward D. Wood Jr. was a mixture of "the blind optimism of Ronald Reagan, the enthusiasm of the Tin Man from The Wizard of Oz(1939), and Casey Kasem."

Martin Landau's face had to be painted unnaturally white in order for the black-and-white film stock to record it properly.

One story claims that the producers decided to make the film in black and white because no one could decide how Bela Lugosi should look filmed in color. 

Johnny Depp developed a love-hate relationship with angora sweaters. He jokingly told MTV that he learned too much about women's clothing while making the film. Because angora sheds profusely, Depp joked that in certain scenes, he may have "inhaled more angora than oxygen."

In order to imitate Bela Lugosi's voice and mannerisms, Martin Landau watched approximately 35 Bela Lugosi movies, and purchased Hungarian language tapes. With the tapes, he would "literally practice the language and see where the tongue would go." When Hungarian-born director Peter Medak saw the film, he called Landau to praise him. Medak said that Landau's accent sounded spot-on, because, "You are not an actor trying to do a Hungarian accent, you're a character trying not to do (one)."

John Breckinridge originally had very little dialogue. His role was greatly expanded when Bill Murray was cast.

Director Tim Burton's favorite of his films.

During the bar scene with Wood, Orson Welles complains that the finances keeps falling through for his Don Quixote picture. In August 2000, Johnny Depp took part in filming The Man Who Killed Don Quixote (2018), with Terry Gilliam directing. After years of delays the film was finally released in 2018.

The film cast includes two Oscar winners: Patricia Arquette and Martin Landau; and two Oscar nominees: Bill Murray and Johnny Depp.

Rick Baker was very concerned about the casting of Martin Landau as Bela Lugosi, seeing how they didn't share any similar facial features. Baker, being a very big fan of Lugosi and who had known Tim Burton before the film, persured the job as makeup designer fearing that a lesser makeup artist would do too much. Baker designed and created subtle appliances that would alter Landau's features to make him more resemble Lugosi (a set of a ears, a nose, a chin, and an appliance to cover the fullness of his upper lip) that Ve Neillwould apply on a daily basis. Landau, Baker, and Neill would all eventually win Academy Awards for their work.

FILM 1192: JODOROWSKY'S DUNE

The story of cult film director Alejandro Jodorowsky's ambitious but ultimately doomed film adaptation of the seminal science fiction novel.

FILM 1150: F FOR FAKE

TRIVIA: Actress Oja Kodar, who appears in a muse-like fashion in this film, was Welles' real-life girlfriend at the time.

Hidden within a montage of footage of Howard Hughes is one brief shot of a man disembarking from a ship who looks similar to Hughes, but is actually actor Don Ameche.

An excerpt of Welles' legendary 1930s 'War of the Worlds' broadcast was recreated for this film; however none of the dialogue heard in the movie actually matches what was originally radio broadcast.

Film 972: Touch of Evil

Trivia: Was screened at the 1958 Brussels World's Fair, where judges (and then critics) Jean-Luc Godard and François Truffaut awarded it the top-prize. It was said the film was a great influence on starting Godard's and Truffaut's illustrious careers, both of whom within a year went on to make their first films Breathless and The 400 Blows, respectively.

Marlene Dietrich and Zsa Zsa Gabor share a title card ("Guest Starring Marlene Dietrich, Zsa Zsa Gabor"). Gabor has a bit part; she is onscreen for twenty seconds at most. Dietrich has a pivotal role and appears in four crucial scenes including the finale.

Orson Welles shot predominantly at night in order to fend off meddlesome studio suits.

The nighttime filming of the long, single tracking shot opening sequence had many retakes. It took so long that the sequence used was the last chance that night; the first light of the breaking dawn is visible in the background.

Janet Leigh broke her left arm before filming commenced, but appeared nonetheless. The arm was in a cast, hidden from the camera, for many scenes. In the more revealing motel scenes, the cast was removed for filming, and re-applied afterwards.

Orson Welles was originally hired only to act in the film, but due to a misunderstanding, Charlton Heston understood that Welles was to be the director. To keep Heston happy, producer Albert Zugsmith allowed Welles to direct. Welles made major changes to the already-completed script, including changing Heston's character from a white district attorney to a Mexican narcotics agent, changing Janet Leigh's character from Mexican to American, and changing the setting of the movie from a small California town to a Mexican-American border town.

Orson Welles was fired as director during post-production, and the film was recut contrary to his wishes. Before his death, he left instructions on how he wanted the film to be edited, and in 1998 a version was made the way he intended.

Oscar winner Mercedes McCambridge, only appears in the film because she was having lunch with Orson Welles during filming and Welles convinced her to film a scene. Welles had her wear a leather jacket, he cut her hair himself and had her character say the sinister line, "I wanna watch."

Despite popular speculation, Orson Welles is wearing make-up throughout the film. For hours every night, they'd add pounds and pounds onto him, and use prosthetics for his face. He once said that he was late going to a dinner party at his house during the filming, and arrived with his make-up still on. A famous actress approached him when he entered and in all seriousness said: "Orson! You look wonderful!"

The role of the motel night manager was written specifically for Dennis Weaver, because Welles admired his work on Gunsmoke and wanted to work with him.

In the movie Ed Wood, the Orson Welles character complains to the Ed Wood character about administrative meddling in a director's artistic vision: "I'm supposed to do a thriller with Universal, but they want Charlton Heston to play a Mexican," referring to this film (in reality, Heston's character was originally supposed to be white; it was Welles himself who changed it to a Mexican). Wood also tells Welles, "I've even had producers re-cut my films," a significant issue, as it turned out, for Welles with this film.