FILM 2019: US

FILM 2019: US

TRIVIA: Jordan Peele gave the cast ten horror films to watch so they would have "a shared language" when filming: Dead Again (1991), The Shining (1980), The Babadook (2014), It Follows (2014), A Tale of Two Sisters (2003), The Birds (1963), Funny Games (1997), Martyrs (2008), Let the Right One In (2008), and The Sixth Sense (1999).

Lupita Nyong'o based Red's voice on Robert F. Kennedy Jr and specifically the spasmodic dysphonia he suffers from.

Like The Lost Boys (1987), several key scenes take place on the Santa Cruz Beach Boardwalk. This is even referenced in-universe, when Adelaide's mother (Anna Diop) says, "You know, they're shooting a movie over there by the carousel."

The Bible verse that continuously appears in the film (Jeremiah 11:11) reads: "Therefore thus saith the Lord, Behold, I will bring evil upon them, which they shall not be able to escape; and though they shall cry unto me, I will not hearken unto them."

In addition to Jeremiah 11:11 being seen written on a sign twice, the numbers 11:11 appear frequently throughout this film. When Gabe is watching a baseball game on TV, the announcer says that the game is tied 11-11. When Addie and Jason are talking in his room, the digital clock reads 11:11 pm. Also, a carnival worker in 1986 and one of the twins in the present day both wear a T-shirt for the band Black Flag, the logo of which consists of four vertical black bars that resemble the number 1111. And again at the end of the movie when the ambulance is driving down the windy back road the camera pans out and shows the ambulance number 1111 on top of it.

The filmmakers did not need to do much work on the Santa Cruz Beach Boardwalk, as many games and rides are originals going far back as the 1910's. Also, indeed there is an underground tunnel system under The Boardwalk, though it is mostly used for storage and as a shelter in case of any emergency. There is no hall of mirrors (as shown in the film) on the beach.

Nicole Richie appears at the beginning of the movie as a 5 year old because she was actually in the Hands Across America commercial.

Grossed $71 million over its United States opening weekend, the highest ever for an original horror film, and the second highest for an original live-action film, after Avatar(2009)'s $77 million.

"I Got 5 On It" by the hip-hop rap duo, Luniz, is the song featured in the Us movie trailer and remixed into several scenes in the movie. The song was released in May 1995. It was certified a platinum single (one million units sold) in October 1995. The title is a phrase meaning to pay half of a dime bag (a $10 bag of cannabis) with another person.

The fast food that the family eats is called "Copperpots" a nod to Chester Copperpot, the legendary treasure hunter in "The Goonies" which is referenced many times in the movie.

FILM 1479: THE KID

TRIVIA: For the scene in which the Kid is taken from the Tramp and nearly carted away to a workhouse, Charles Chaplin stated in his autobiography that the young Jackie Coogan was made to cry by his father, who told him that if he would not cry in the scene, he would be sent to an actual workhouse.

The production company tried to cheat Charles Chaplin by paying him for this six-reel film what they would ordinarily pay him for a two-reel film, which was about $500,000. Chaplin took the unassembled film out of state until the company agreed to the $1.5 million he was supposed to be paid, plus half the surplus profits on rentals, along with reversion of the film to him after five years on the rental market.

Jackie Coogan, who plays the adorable "Kid," grew up to be the extremely weird "Uncle Fester" on the beloved '60s sitcom The Addams Family (1964).

The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second, or third, generation (or more) copies of the film.

FILM 1467: THE PASSION OF JOAN OF ARC 

TRIVIA: Believed lost until a complete print was found in a mental institution in Oslo. See also Der brennende Acker (1922).

None of the actors wears any makeup, which was unheard of in the silent era. Carl Theodor Dreyer thought this lent strength to the characters' faces.

Much of the project's budget was reserved for the expensive sets, although, Carl Theodor Dreyer used so many close-ups, very little of the actual sets are seen.

Real blood from a real puncture wound was used in the scene in which Joan's arm is cut, but it was that of a stand-in and not Maria Falconetti.

Although the film was shown with live musical accompaniment in the theatre, there is no evidence that Carl Theodor Dreyer ever selected a definitive score. All current DVD versions of the film use Richard Einhorn's "Voices of Light" for accompaniment.

FILM 1456: MODERN TIMES

TRIVIA: Discounting later parodies and novelty films, this was the last major American film to make use of silent film conventions such as title cards for dialogue. The very last dialogue title card of this film (and thus, it can be said, the entire silent era) belongs to The Tramp, who says "Buck up - never say die! We'll get along."

Charles Chaplin allows the Tramp to speak on camera for the first time during the restaurant scene, but insisted that what the Tramp says be universal. Therefore, the song the Tramp sings is in gibberish, but it is possible to follow the story he tells by watching his hand gestures.

This was one of the films which, because of its political sentiments, convinced the House Un-American Activities Committee that Charles Chaplin was a Communist, a charge he adamantly denied.

Charles Chaplin devoted eight days to filming the department store roller-skating scene where he skates blindfolded on the edge of the fourth floor, coming within inches of falling over the edge into the deep stairwell below. The dangerous large drop was actually a painted scene on a pane of glass carefully placed in front of the camera to align with the existing set and create the illusion of great height.

A full dialogue script was written for the film, as Charles Chaplin had intended to make a complete talkie. According to a documentary on the DVD release, Chaplin went so far as to film a scene with full dialogue before deciding instead to make a partial talkie.

According to some accounts, working together on the film put a strain on Charles Chaplin and Paulette Goddard's relationship. Contrary to the way young actresses were presented on screen, Paulette was to wear shabby clothing and no make-up as the Gamin. When she showed up for filming with her hair beautifully coiffed, he dumped a bucket of water over her head.

Although filmmaking had become the province of large teams of highly specialized technicians, Charles Chaplin resisted delegating tasks, involving himself in every aspect of production, even to the point of blowing bubbles in a pail of water to simulate stomach-grumbling sounds.

FILM 1290: THE GOLD RUSH

TRIVIA: The "dancing rolls" sequence was so popular with audiences that, in some cases (such as the film's Berlin premiere), projectionists stopped the film and replayed the scene.

The scene where The Lone Prospector and Big Jim have a boot for supper took three days and 63 takes to suit director Charles Chaplin. The boot was made of licorice, and Chaplin was later rushed to a hospital suffering insulin shock. The boot was made by the firm of Hillaby's in Pontefract, West Yorkshire, England; Pontefract is famous for growing licorice and making it into "Pomfret [Pontefract] Cakes".

The movie's poster was as #13 of "The 25 Best Movie Posters Ever" by Premiere.

Originally a stagehand wore the chicken suit from Jim's hallucination. But when he couldn't mime Charles Chaplin's walk and manners, Chaplin himself donned the suit.