FILM 2019: US

FILM 2019: US

TRIVIA: Jordan Peele gave the cast ten horror films to watch so they would have "a shared language" when filming: Dead Again (1991), The Shining (1980), The Babadook (2014), It Follows (2014), A Tale of Two Sisters (2003), The Birds (1963), Funny Games (1997), Martyrs (2008), Let the Right One In (2008), and The Sixth Sense (1999).

Lupita Nyong'o based Red's voice on Robert F. Kennedy Jr and specifically the spasmodic dysphonia he suffers from.

Like The Lost Boys (1987), several key scenes take place on the Santa Cruz Beach Boardwalk. This is even referenced in-universe, when Adelaide's mother (Anna Diop) says, "You know, they're shooting a movie over there by the carousel."

The Bible verse that continuously appears in the film (Jeremiah 11:11) reads: "Therefore thus saith the Lord, Behold, I will bring evil upon them, which they shall not be able to escape; and though they shall cry unto me, I will not hearken unto them."

In addition to Jeremiah 11:11 being seen written on a sign twice, the numbers 11:11 appear frequently throughout this film. When Gabe is watching a baseball game on TV, the announcer says that the game is tied 11-11. When Addie and Jason are talking in his room, the digital clock reads 11:11 pm. Also, a carnival worker in 1986 and one of the twins in the present day both wear a T-shirt for the band Black Flag, the logo of which consists of four vertical black bars that resemble the number 1111. And again at the end of the movie when the ambulance is driving down the windy back road the camera pans out and shows the ambulance number 1111 on top of it.

The filmmakers did not need to do much work on the Santa Cruz Beach Boardwalk, as many games and rides are originals going far back as the 1910's. Also, indeed there is an underground tunnel system under The Boardwalk, though it is mostly used for storage and as a shelter in case of any emergency. There is no hall of mirrors (as shown in the film) on the beach.

Nicole Richie appears at the beginning of the movie as a 5 year old because she was actually in the Hands Across America commercial.

Grossed $71 million over its United States opening weekend, the highest ever for an original horror film, and the second highest for an original live-action film, after Avatar(2009)'s $77 million.

"I Got 5 On It" by the hip-hop rap duo, Luniz, is the song featured in the Us movie trailer and remixed into several scenes in the movie. The song was released in May 1995. It was certified a platinum single (one million units sold) in October 1995. The title is a phrase meaning to pay half of a dime bag (a $10 bag of cannabis) with another person.

The fast food that the family eats is called "Copperpots" a nod to Chester Copperpot, the legendary treasure hunter in "The Goonies" which is referenced many times in the movie.

FILM 2015: SICARIO

FILM 2015: SICARIO

TRIVIA: While Benicio Del Toro's character is frequently silent in the movie, he initially had more lines. "In the original script, the character explained his background several times to Kate," Del Toro said. "And that gave me information about who this guy was, but it felt a little stiff to have someone you just met fifteen minutes ago suddenly telling you what happened to him and who he is." Working with director Denis Villeneuve, Del Toro began cutting some of his dialogue to preserve the mystery of who his character is; Villeneuve estimated they cut 90% of what Del Toro was originally intended to say by screenwriter Taylor Sheridan. Like Del Toro, Villeneuve saw power in stripping the character down to a brooding silence, stating that dialogue belongs to plays and "movies are about movement, character, and presence, and Benicio had all that."

When discussing the score with composer Jóhann Jóhannsson, director Denis Villeneuve said he wanted the the sound of a threat. The one film Villeneuve used as a comparison was Steven Spielberg's Jaws (1975).

Emily Blunt based Kate Macer's character on one of four female FBI agents she spoke to in preparation for the role, whom she described as "shy" and with a "loner quality" to them.

The word "Sicario" derives from the Latin word "Sicarius," meaning "dagger man." The term was used by Romans to describe Jewish zealots who killed Roman citizens using a "sica" or small dagger hidden in their cloaks. There were so many murders in the province of Judea around the 1st Century AD that the figure of "Sicarius" was codified in Roman law ("Lex Cornelia de Sicariis et Veneficis -- Cornelian Law for Stabbers and Poisoners") of 81 AD. These words also derive from the verb "secare," which means "to slice."

FILM 1991: SNOWPIERCER

FILM 1991: SNOWPIERCER

TRIVIA: This is based on the French graphic novel "Le Transperceneige". Bong Joon-ho discovered the comic in late 2004, during pre-production of The Host (2006), and was fascinated by the concept of people struggling on the train for survival.

The drawings in the tail section of Snowpiercer were illustrated by Jean-Marc Rochette, the original comic artist of the graphic novel Le Transperceneige.

Sir John Hurt's character's name, Gilliam, is an homage to Terry Gilliam, a director whose filmography includes similarly bleak science fiction, fantasy, and end-of-the-world titles, such as Brazil (1985), Twelve Monkeys (1995), and The Zero Theorem (2013).

Jamie Bell's character, Edgar, was named after Director Edgar Wright.

Writer and Director Bong Joon-ho explained that the protein block was made by combining seaweed, tangle, sugar, and gelatin. Jamie Bell hated it, while Tilda Swintonliked it.

There was no additional lighting used while filming the torchlight fight scene.

Mason's appearance, cold demeanor, and deadpan delivery in this movie are an intentional nod to former British Prime Minister Margaret Thatcher. Widely considered as one of the forerunners of neo-liberalism, Thatcher is famous, and often despised, for her aggressive cuts to social programs, harsh policies towards working classes in the U.K., and the end of the welfare state system.

The song "Midnight, the Stars, and You" was also played in The Shining (1980).

PODCAST: GLADIATOR

PODCAST: GLADIATOR 

Football star Aaron Hernandez went from the bright lights of the Super Bowl to a convicted murderer in a few years. The Boston Globe’s Spotlight Team, best known for its investigation of the sexual abuse scandal inside the Catholic Church, takes a hard look at the crisis facing football through the lens of Aaron Hernandez’s life and terrible crimes. Did a brain badly damaged by football contribute to Hernandez’s violent behavior? Did he keep secrets about his sexuality that collided with a hyper-masculine football culture? Did elite coaches and teams look the other way as Hernandez was spiraling out of control? Spotlight uncovered new documents, audio, and interviews to go deep into the story of what happened to Aaron Hernandez, and what it means for those of us who cheer on a violent game. From Wondery, the podcast team that brought you Dr. Death.

MY VERDICT: Despite knowing nothing of American Football and not having much interest in sport in general, I found this podcast thoroughly fascinating. The story follows Aaron Hernandez through his career and asks questions about how the people around him could have prevented his violent decline or whether the sport itself was to blame. I don’t know if all these questions were answered but I certainly learnt a lot along the way.

FILM 1920: THE HOUSE THAT JACK BUILT

FILM 1920: THE HOUSE THAT JACK BUILT

TRIVIA: The House That Jack Built (2018) was originally announced as an eight-part miniseries in September 2014 when the completed version of Nymphomaniac: Vol. I (2013) / Nymphomaniac: Vol. II (2013) premiered at the Venice Film Festival, but in February 2016, Lars von Trier announced via a David Bowie-themed video on his official Facebook page that "The House That Jack Built" would be his next theatrical release, due in theaters in 2018.

Despite audience backlash toward a scene involving the main character's mutilation of a duckling when he was a child, PETA has defended the film in a statement praising its accurate portrayal of the link between adolescent animal abuse and psychopathy. Animal cruelty is actually known to be a common trait among serial murderers, especially when they are young.

The Second Incident is similar to Ray Bradbury's short story "The Fruit at the Bottom of the Bowl" (1948) in which the murderer is obsessed with erasing every fingerprint at the scene of the crime.

A shot of Jack and Verge standing in a boat is reminiscent of the painting "The Raft of the Medusa" (Le Radeau de La Méduse) by Jean-Louis André Théodore Géricault. It also bears resemblance to "La Barque de Dante" by Eugène Delacroix. 

The prestigious French film magazine 'Cahiers du Cinema' declared The House That Jack Built (2018) the 8th best film of 2018.

FILM 1894: HULK

FILM 1894: HULK

TRIVIA: Creating the Hulk in CGI was one of the most complex tasks Industrial Light & Magic had ever undertaken at that time. The computer model used 12,996 texture maps, and required 1,165 muscle movements and one hundred layers of skin. It took the combined work and efforts of about one hundred eighty ILM technicians (sixty-nine technical artists, forty-one animators, thirty-five compositors, ten muscle action animators, nine CG modellers, eight supervisors, six skin painters and five motion-capture wranglers), over two and a half million hours, and one and a half years for him to be effectively created and portrayed in the film. With all of that work, some of the public complained that the Hulk looked too fake, comparing him with Shrek (2001).

Edward Norton was approached to play Bruce Banner, but turned it down, as, despite being a fan of the Hulk, he didn't like the script. He later accepted the role in The Incredible Hulk (2008).

A lot of the microbiology work we see on-screen is real, and is the work of Director Ang Lee's wife.

According to the animators at Industrial Light & Magic, the Hulk weighs 3,452 pounds (1,565.8 kilograms), and can exert fourteen tons of pressure per square inch. His skin is ten times as strong as Kevlar. His chest measures seventeen feet and four inches (5.3 meters), his waist twelve feet and ten inches (3.3 meters), his foot four feet and three inches (1.3 meters), and his neck six feet and nine inches (2 meters). If he wore shoes, they would be (U.S.) size eighty-seven. He can move at a top speed of three hundred miles (four hundred eighty-three kilometers) per hour, and cross three to four miles (4.8 to 6.4 kilometers) in a single jump.

Nick Nolte had his hair grown wildly for this movie when he was arrested on drunk driving charges and photographed for his now infamous mug shot.

Ang Lee performed the Hulk using motion-capture technology.

Ang Lee employed the split-screen technique to cinematically mimic the panels of a comic-book page. This required many takes of one scene, which was draining for Eric Bana. It took him four takes to film Banner's first Hulk transformation, and by the time of its completion, he was on the verge of collapse.

This film holds the record for largest second weekend box-office drop for a film that opened at number one, with a 69.7 percent drop.

When the first transformation of Banner into Hulk occurs, the color of the Hulk is either gray or greenish-gray. This is an homage to the first appearance of the Hulk, when he was actually gray in his debut comic (May 1962). The publisher couldn't do gray very well, so Stan Lee changed the color to green, simply because green hadn't been used much by other characters. From the second transformation, he maintains his prominent emerald hue.

CAMEO:Lou Ferrigno: (At around twelve minutes) As a security guard. 

CAMEO: Stan Lee: (At around twelve minutes) The creator of the Hulk (1962) appeared as a security guard. Lee ad-libbed his lines.

FILM 1886: MISSION: IMPOSSIBLE - FALLOUT

FILM 1886: MISSION: IMPOSSIBLE - FALLOUT 

TRIVIA: Tom Cruise trained for an entire year to perform the HALO (High Altitude Low Opening) stunt in this film.

The H.A.L.O skydiving sequence (distance of 7 km / 25000 feet, traveling speed of 265 - 320 km/h) was the last sequence filmed during production, but it was the first stunt designed and required a full year of planning out. The crew had only a limited time window of three minutes a day during sunset to film a jump. Because of strict air aviation regulations in France, it could only be shot in the Emirates. It took Tom Cruise, Henry Cavill, the skydiving camera operator Craig O'Brien (who was instructed to keep a distance of three feet from Cruise while filming) and others involved a total of 106 jumps to get three possible takes. However, to rehearse the sequence, the crew built a custom oxygen helmet with RAF assistance that can be lit up to see a face, and then also built one of the world's largest wind tunnels for practice. The practice doesn't end there - Cruise and the other persons involved did five skydives a day with one in the morning, three in the afternoon, and one at dusk. Some of the other cast members turned up to visit, with Simon Pegg saying that he and his co-stars thought multiple times that Cruise was seriously about to die: "It is a daily stress going to work with him, because you don't know if you are going to see him tomorrow." 

White Widow (Vanessa Kirby) is introduced as she delivers a tribute speech to her late mother, is referred to only as "Max." and as a lover of paradoxes. While never clarified onscreen, this is likely reference to the first film in the series, which features a female British arms dealer also known only as Max (Vanessa Redgrave).

In August 2017, Tom Cruise suffered an injury while filming a stunt jumping from one building to another. He was able to grab onto the other building thanks to a harness strapped onto him and his history of performing his own stunts for action films, but his ankle fractured upon the impact of the jump. Cruise then got up and attempted to run it off, which was what the scene called for, before he and the crew decided to stop filming. Shooting was delayed for eight weeks following the injury, but the footage of the stunt used in the film and its trailers just so happened to be the actual injury.

Solomon Lane is the first villain in the franchise to appear in two films.

Simon Pegg got in such good shape while training in the gym for his action scenes that he got eight-pack abs for the first time in 25 years even though it wasn't required for his role at all. The actor is not an action star or known for his body and was teased on set by co-stars Tom Cruise and Henry Cavill, who actually are action stars and regularly show their eight-pack abs in films. They nick-named Pegg 'Eight-Pack Peggles' due to his new found abs. Cruise said, "Six-Pack Peggles I call him! He had an amazing eight-pack going on. He's almost like Eight-Pack Peggles." Pegg responded to the good-natured teasing saying, "To be fair it was a six-pack, it wasn't quite an eight-pack. I think one morning, after training, my abs made an appearance for the first time since I was 23. You have to be in shape to do these movies and I put my mind to it. It's nice to know that I can still show out if I need to. My wife appreciates it!"

A clause stipulated in Henry Cavill's contract forbade him from shaving his beard required for the role. During production, the producers received a phone call from Justice League producer Charles Roven requesting Cavill back for some reshoots for his role as Superman. Co-producer Jake Myers suggested letting Cavill shave his beard, shutting down production while he does his reshoots and then getting Warner Bros to pay $3 million for additional visual effects (digital moustache) on shots of Cavill after completing his Superman reshoots. Paramount got wind of the idea and shot it down immediately through the clause.

During the Empire Podcast, director Christopher McQuarrie revealed that he provides the authoritative voice in the initial mission briefing.

Rescuing another person in free fall while sky diving is very difficult. Hewitt says that "it takes Accelerated Free Fall instructors over 1,000 jumps to get it right and something like 70% of the people who try to qualify at the instructor level fail. Tom had just 100 jumps to perfect this."

The Paris chase scenes involved stuntmen in 70 cars driving to avoid Cruise who was riding his motorcycle against traffic without a helmet at extremely high speeds.

The musical composer on "Fallout" is Lorne Balfe, but the iconic "Mission: Impossible" theme was written by Lalo Schifrin. He wrote it in just 3 minutes. When asked why he wrote it in the unusual time signature of 5/4, he joked at a press conference in Vienna, "Everybody knows that there have been beams from outer space coming because of interplanetary flights. The people in outer space have five legs and couldn't dance to our music, so I wrote this for them."

FILM 1882: ROBOCOP

FILM 1882: ROBOCOP

TRIVIA: It was discovered that when in full RoboCop costume, Peter Weller could not fit properly into the police car as he was too bulky. That's why most shots of him show him exiting the car or preparing to get into it. For shots where he actually needed to be in the car, he only wore the top part of the costume and sat in his underwear. However, to maintain the illusion that RoboCop wears the entire suit while inside a car, most shots show his robotic feet exiting the car first.

Some 25 years later, an internet rumor began to get funding for a RoboCop statue to be placed in Detroit. Peter Weller himself created a public service announcement to support the proposal. Eventually, a Kickstarter campaign was created and proved successful, as the 12 foot statue is now in production.

The RoboCop suit was so hot and heavy that Peter Weller was losing 3 lbs a day from water loss. Eventually, an air conditioner was installed in the suit.

In Sacramento, California, a robbery suspect fled into a darkened movie theatre to escape pursuing police. He became so engrossed in the movie playing on screen (RoboCop), that he failed to notice that police had evacuated all other patrons from the theatre. When the lights flipped on, the stunned man was taken into custody.

Paul Verhoeven and Rob Bottin clashed repeatedly before and during production over the design and make-up of the RoboCop character. What they argued most about was the scene where Murphy takes off his helmet. Bottin wanted the scene to be filmed in a darkened area, fearing that harsh light would reveal too much of the make-up effects; Verhoeven wanted the scene to be filmed as brightly as possible, citing that director of photography Jost Vacano would be able to light it properly without revealing anything. Verhoeven got his way and Bottin refused to talk to him any further for the remainder of production. However, at the premiere, both men were so impressed with how the scene had turned out, that they instantly forgave each other. Bottin, who had even vowed to never again work with Verhoeven, happily accepted the offer to work on Verhoeven's next project, Total Recall (1990).

Nancy Allen first arrived on set when Paul Verhoeven was shooting the deliberately cheesy sitcom "It's Not My Problem" which appears on television screens throughout the film. Allen was initially horrified to think that she had signed on to make a film with an incompetent director.

Because the hands of the RoboCop suit were made of foam rubber, the car keys would bounce off of Peter Weller's hand every time he attempted to catch them. The production took up to 50 takes and an entire day's worth of filming before finally getting the shot right.

On the DVD Ray Wise explains that he and Kurtwood Smith ended up being too close to an explosion which caused pieces of glass to be embedded into Ray's face. He received an additional stunt pay for this mishap as per the studio. Ray then jokingly states that he devised ways where he would be as close to the explosions as possible to gain extra money.

RoboCop's first Directive, "Serve the public trust", was inspired by a fortune cookie.

After Peter Weller complained about the costume during the first few days of filming, the role of RoboCop was offered to Lance Henriksen, who turned down because of time conflicts - Henriksen was also considered for the title role in The Terminator (1984) (before the cyborg was decided for to be large and bulky and Arnold Schwarzenegger was brought on), and finally got to play a robot in Aliens (1986) (see also trivia for The Terminator (1984)).

Paul Verhoeven's first American film.

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.

DIRECTOR TRADEMARK: Paul Verhoeven: [in-movie fake commercials] Several fake advertisements are featured throughout the movie: The Family Heart Center (a medical center specializing in artificial heart transplants), Nukem (a futuristic Battleship-like board game), and the 6000 SUX - the primary vehicle that Clarence Boddicker and his gang use.

FILM 1877: BOUND

FILM 1877: BOUND

TRIVIA: Gina Gershon recommended Joe Pantoliano for the role of Caesar.

When executives at some studios read the script, they told the Wachowskis that if they changed the character of Corky to that of a man, they would be interested. The siblings declined, saying "that movie's been made a million times, so we're really not interested in it."

Joe Pantoliano was instructed by the Wachowskis to watch The Treasure of the Sierra Madre (1948) and base his Cesar character on Humphrey Bogart's Fred C. Dobbs.

The film was financed with the understanding that Jennifer Tilly was to play the role of Corky. The actress playing Violet dropped out of the project shortly before shooting began, however. At this point Gina Gershon became available to do the film. At first she was to play Violet; but since she was better suited to Corky, she and Tilly switched roles.

Jennifer Tilly named Violet as the best role she ever had.

Gina Gershon and Jennifer Tilly went fully nude for the main lesbian sex scene between Corky and Violet and they declined the use of body doubles.

The main sex scene set in Corky's apartment was filmed in one long shot. The Wachowskis believed that this would look more realistic than several shots edited together. Although it should have been a closed set, there were actually many people present, moving the walls of the set in order to allow full movement of the camera around the actors.

Gina Gershon's influences for her role were James Dean, Marlon Brando and Clint Eastwood.

This was Joe Pantoliano's first leading role in a film. It's also his favourite role.

The part of Violet was expected to go to Linda Hamilton.

CAMEO: Susie Bright: The noted sex author appears as the lesbian in the bar that Corky hits on before the lesbian cop arrives. The grey-haired woman in the next booth is Bright's ex.

FILM 1874: GREEN ROOM

FILM 1874: GREEN ROOM

TRIVIA: Patrick Stewart said in an interview that when he finished reading the script at his country home in England, it was so terrifying that he locked up his house, turned on the security system, and poured himself a Scotch. He then knew that he wanted to play the Darcy Banker role because a character that horrifying would be an incredible challenge, and make for a compelling film.

The paintball story Pat (Anton Yelchin) tells is a real experience director Jeremy Saulnierhad. Rick Spears is a real person, who did as said in the story.

While the tracks were recorded separately the staged performances, the actors actually performed their songs. Anton Yelchin and Alia Shawkat already knew how to play their instruments, but according to Jeremy Saulnier, Callum Turner had no experience with any sort of music. Joe Cole also learned to play drums, specifically for this film.

Jeremy Saulnier, the director, was partly inspired by the film Straw Dogs (1971).

FILM 1866: JACK REACHER: NEVER GO BACK

FILM 1866: JACK REACHER: NEVER GO BACK

TRIVIA: Cobie Smulders performed all of her own stunts in this movie.

The film is based on the eighteenth "Jack Reacher" series novel by source novelist Lee Child. "One Shot," the basis of the first film Jack Reacher (2012), is the ninth book, which means this movie is not necessarily a direct sequel in terms of the book series.

CAMEO: Lee Child: source novelist plays a TSA agent who is seemingly ambivalent to the fact that Jack (Tom Cruise) does not really match the stolen ID he is using to board the plane. This is a nod to Child's support of the "controversial" casting of the diminutive 5'7" tall Cruise as Child's 6'5 tall," 250lb weighing, and 50-inch wide-chested character of Jack Reacher. Despite a lot of fan backlash at the casting of Cruise, Lee responded: "Obviously, Cruise doesn't match the physical description of Reacher in the books, but the movie is not going to match the book anyway."

FILM 1814: CHOPPING MALL

FILM 1814: CHOPPING MALL

TRIVIA: The film was allowed to shoot at a real California mall as long as they did not damage any facilities and had removed any traces of their presence before the mall opening time of 9AM. While the mall's head of security didn't like the filmmakers and was constantly accusing them of causing disrepair, the mall's owner was supportive of the film and made sure the production was able to complete its work on schedule.

The book Gerrit Graham's character is reading is "They Came from Outer Space" which was edited by the film's director, Jim Wynorski. One of the stories in the collection is "The Racer" which was filmed as Death Race 2000 (1975) featuring Mary Woronov.

Filmed in Sherman Oaks Galleria, the same mall used in Commando (1985). Most notably when near the elevators. Both films would've been filmed around the same time. But due to budget constraints, Chopping Mall (1986) was filmed after close of business. 

FILM 1805: YOU WERE NEVER REALLY HERE

FILM 1805: YOU WERE NEVER REALLY HERE

TRIVIA: Very little actual violence is shown in the movie, but more often the aftermath of violent scenes. Lynne Ramsay stated that before this movie she had never done anything with a gun, so she had to figure out how to approach violence. Budget constraints didn't allow her to shoot complex action scenes, so this gave birth to the idea to show "post rage aftermath scenes" instead of the violence itself. Lynne Ramsay confessed she thought it was very risky to use this approach, because if it didn't work she wasn't able to go back and reshoot the scenes.

According to Rolling Stone, Joaquin Phoenix has stated that Lynne Ramsay gave him an audio file of fireworks mixed with gunshots to suggest what's going on in Joe's head.

Received a seven-minute standing ovation at its Cannes Film Festival premiere, on May 27, 2017. Lynne Ramsay won the award for Best Screenplay and Joaquin Phoenix won for Best Actor.

The film marks the second time Radiohead guitarist and Grammy Award-winning and Academy Award-nominated composer Jonny Greenwood scored a Lynne Ramsay film (the previous being We Need to Talk About Kevin (2011)). The film also marks the third time Joaquin Phoenix appeared in a film scored by Greenwood (the first two being Paul Thomas Anderson's The Master (2012) and Inherent Vice (2014)).

FILM 1797: JACK REACHER

FILM 1797: JACK REACHER

TRIVIA: Coincidentally, the source novel, "One Shot" by Lee Child, specifically references (though not by name) the film A Few Good Men (1992), which starred Tom Cruise. In the novel, Reacher reflects upon a line of dialogue spoken by Jack Nicholson's character.

Rosamund Pike was pregnant with son Solo during the shooting for this film.

Robert Duvall's character is seen using empty .38 special cartridge cases as ear plugs. This goes back to the 1950s. Since he was an old timer, he would have done this.

Jai Courtney and Josh Helman had so much trouble with the American accent required for their roles, that several planned scenes were scrapped, and many of Courtney's lines were dropped from the sides.

Brad Pitt, Hugh Jackman, Vince Vaughn, Jamie Foxx, and Will Smith were considered for the role of Jack Reacher before Tom Cruise was cast.

Reacher asks Helen "Drop me at the auto parts store". When she says "Which one?" he explains that he wants the one that "stands out in your mind as *the* auto part store". In the next sequence, the actual auto part store sign is visible: it is called "DeFault Auto Parts".

CAMEO: Lee Child: The film's source novelist as a Police Desk Sergeant, and the cop that gives Jack Reacher his personal belongings back when he leaves jail.