Hello to everyone who has been following this blog for many years - I'm still blogging, I'm just moving over to https://www.claireheffer.com/blog - please continue to follow and let me take this opportunity to thank everyone who has been kind enough to visit over the years. May the lists continue...
Showing posts with label body. Show all posts
Showing posts with label body. Show all posts
Thursday, 31 August 2017
Friday, 9 December 2016
FILM 1603: THE TROUBLE
WITH HARRY
TRIVIA: One of Alfred
Hitchcock's favorites of all his films.
Originally designed by Alfred
Hitchcock as an experiment in seeing how audiences would react to a
non-star-driven film. He was of the opinion that oftentimes having a big star
attached actually hindered the narrative flow and style of the story. He also
developed the film with a view to test how American audiences would react to a
more subtle brand of humor than that which they were used to.
Location filming in Vermont was hampered by heavy rainfall. Many exterior
scenes were actually filmed on sets constructed in a local high school
gymnasium. Much of the dialogue recorded there was inaudible due to the
rainfall on the tin roof, so much post-recording was necessary.
The film was unavailable for decades because its rights (together with
four other pictures of the same period) were bought back by Alfred Hitchcock and left
as part of his legacy to his daughter. They've been known for years as the
infamous "5 lost Hitchcocks" among film buffs, and were re-released
in theaters around 1984 after a 30-year absence. The others are The Man Who Knew Too Much
(1956), Rear Window (1954), Rope (1948) and Vertigo (1958).
"What seems to be the trouble, Captain?" was Alfred Hitchcock's
favorite line from all his movies.
Due to the indifferent weather conditions in Vermont, boxes and boxes of
autumnal leaves were shipped back to California where they were painstakingly
pinned onto trees on a studio soundstage.
Alfred Hitchcock insisted
on using a real actor for the body of Harry. He chose Philip Truex.
Unlike some of Hitchock's other leading ladies, Shirley MacLaine became
his "eating buddy", and he took her for breakfast every day before
shooting. He never propositioned her, but thought of her as "a girl who
needed to be fed". After living the poverty-stricken life of a Broadway
chorus girl that she had just been plucked from, it was a pleasant change for
MacLaine, and as a result she gained 15 pounds during shooting. Ultimately
ending in a phone call from the studio telling her to stop eating so much as
she was going to "ruin her career before it had even begun".
Labels:
body,
bury,
child,
film,
film list,
hitchcock,
movie,
relationship,
shirley maclaine
Tuesday, 15 March 2016
BOOK 146: GULP: ADVENTURES ON THE
ALIMENTARY CANAL: MARY ROACH
Mary Roach’s investigations into
weird body science were inspired by a plastic torso with removable organs in
her fifth-grade class, “the point at which curiosity began to push aside
disgust or fear or whatever it is that so reliably deflects mind from body.”
Since then, she’s investigated death (Stiff), sex (Bonk), life after death
(Spooked), and life in zero-gravity (Packing for Mars). Now, she cruises down
the alimentary canal with Gulp. As you’d expect with Roach, this isn’t a
methodical top-to-bottom tour. It’s more delightful and memorable than that.
She’s a gorgeous writer, a master of sly asides, puns, and the bizarre but
ultimately relevant story, sounding at times like an absurdly well-informed
comedian (her footnotes are must-reads). And her evocative portraits of experts
obsessed with their piece of the digestive puzzle--the surprising properties of
saliva, nuances of chewing and digesting, and, yes, the incredible control of
the colon--coaxes her readers beyond the gag reflex, inspiring awe for the
world inside ourselves. --Mari Malcolm --This text refers to the Hardcover
edition.
MY VERDICT: I’m a huge fan of Mary
Roach, I don’t often read multiple books by the same author but I’ve read three
of Roach’s forays into weird science and wonderful anecdotes. Stiff, the first and my favourite book
by her, examines what happens to our bodies after we die. It’s as morbid and
fascinating as it sounds and wonderfully written.
This book has the usual Roach
charm. She breezily makes even the most disgusting
facts and stories palatable (her puns are much better than mine.) Her writing
appears so effortlessly brilliant that even hard medical terms and concepts are
simple to digest (oh god, these puns are catching!) A lot of the time some of
these stories would be hard going but I sped through this book in wonder.
Her curiosity is contagious and you
can’t help but be taken on a journey through laboratories, hospitals and
cafeterias and meeting fascinating characters along the way. And the characters
are wonderful, conducting studies where many a person would fear to tread, into
the specialist medical fields of anything from spit to natural gases. You feel
like a fly on the wall for many of these experiments. Things that you couldn’t imagine
are being experimented on all over the world. (I’m just glad I wasn’t there in
person as a lot of them seem quite smelly). And they ask and answer questions
you never knew you wanted to ask (like why do rats eat their faeces and how big
was Elvis’ colon?)
An entertaining read but also an
interesting opportunity to look at your body and wonder at the awesome things
it can do and how much you take its functions for granted when everything is
going fine.
Friday, 11 September 2015
Saturday, 27 June 2015
Saturday, 13 September 2014
Tuesday, 4 February 2014
Tuesday, 3 December 2013
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