Hello to everyone who has been following this blog for many years - I'm still blogging, I'm just moving over to https://www.claireheffer.com/blog - please continue to follow and let me take this opportunity to thank everyone who has been kind enough to visit over the years. May the lists continue...
Showing posts with label priest. Show all posts
Showing posts with label priest. Show all posts

Sunday, 12 March 2017



FILM 1630: I CONFESS

TRIVIA: In his interview with François Truffaut, Alfred Hitchcock said he was so impressed with the performance of Anita Björk in Miss Julie (1951) that he hired her for this movie. However, when she arrived in Hollywood, Bjork brought her lover, writer Stig Dagerman, and their baby daughter. Since they were not married, Warner Bros. insisted that Hitchcock find another actress for the role of Ruth Grandfort, in this case Anne Baxter.

Alfred Hitchcock, as was his custom, created detailed storyboards for each scene. He could not understand Montgomery Clift's Method acting technique and quickly became frustrated with Clift when he blew take after take for failing to follow Hitchcock's instructions.

In an interview in which Alfred Hitchcock discussed his difficulty with Method actors, he was asked if he had difficulty with Montgomery Clift, Hitchcock said: "Well, yes. I was shooting a scene in Quebec. And he was playing a part of a priest who had just been acquitted of a murder but was being, sort of, booed and stoned outside of the courthouse. And then the action of the film was to go across the street into the Le Chateau Frontenac Hotel."

"Well, I wanted him to look up ... to the crowd and up to the people leaning out of the window. Well, I had also put on the facade of the building the big, gold letters of the word "Hotel" so the audience would know where they were going, into a hotel. And he said, "I don't think I would look up." And I said, "Well, you better look up or else!"

DIRECTOR CAMEO: Alfred Hitchcock: crossing the top of a staircase during the opening sequence.




Sunday, 31 January 2016



FILM 1465: SPOTLIGHT

TRIVIA: The real Walter Robinson said: "My persona has been hijacked. If Michael Keaton robbed a bank, the police would quickly have me in handcuffs".

The screenplay for this film was featured in the 2013 Blacklist; a list of the "most liked" unmade scripts of the year.

During an interview on NPR's "Fresh Air", director Tom McCarthy said that they built a large set to depict many of the Boston Globe offices where parts of the story takes place. When the reporters depicted in the movie first visited the set, they gravitated to the desks where they had been sitting during the writing of the "Spotlight" piece, and many of them started to re-arrange the items on their desks to the they had been at the time.

The one thing that Michael Keaton was afraid of when he accepted the role was the Boston accent. After watching a video footage of the real Walter Robinson he was surprised that Robinson didn't have that much of a Boston accent.

The real Michael Rezendes said "Watching Mark Ruffalo reenact five months of my life was like looking into a fun house mirror."

Tom McCarthy cited The Verdict (1982) and Sidney Lumet's style direction in that film as influence of this project.

Matt Damon was considered for the role of Michael Rezendes which went to Mark Ruffalo.

When Rachel McAdams tells Neal Huff that she will have to postpone the interviews with the survivors, a TV in the bar is broadcasting a Penn State game, and Joe Paterno appears on screen. The longtime Penn State football coach was fired in 2011 after he failed to report sexual abuse of young boys by assistant coach Jerry Sandusky. Paterno died of lung cancer 2 months later. On October 9, 2012, Sandusky was sentenced to 30 to 60 years in prison.



Sunday, 7 December 2014



FILM 1241: DELIVER US FROM EVIL


Documentary about Father Oliver O'Grady, a Catholic priest who was relocated to various parishes around the United States during the 1970s in an attempt by the Catholic Church to cover up his rape of dozens of children.