FILM 1893: K-19: THE WIDOWMAKER

FILM 1893: K-19: THE WIDOWMAKER

TRIVIA: Upon reading the film's script, the surviving crew members were so incensed that they sent an open letter to Harrison Ford, Producer/Director Kathryn Bigelow, and Producers Christine Whitaker and Steven-Charles Jaffe, expressing their dismay. Among the less-than-credible details they objected to were profane language, the animosity between the two highest-ranking commanding officers, insubordination among the crew, drunk crew members, the attempted mutiny, the guns (which are kept under seal in a secret location) and the handcuffs (which were only used by and available to cops).

The director and producers of K-19 were the first Western civilians ever allowed inside the Russian naval base at the Kola Peninsula.

The movie set of the sub was identical in size to the actual K-19 sub, thanks to the K-19 blueprints that were available to the producers. Since the sub's corridors were very narrow, the filming camera rolled along a rail system implemented on the ceiling. The rails were painted so they would blend with the sub's interiors.

The blue glow inside the nuclear reactor is known as the Cherenkov effect. In order to simulate it, the crew poured seven hundred two-liter bottles of Canada Dry tonic water and illuminated the reactor with ultraviolet light. The tonic water contains quinine, which emits a bluish glow in the presence of ultraviolet light.

According to Jacob Pitts, during one scene, the Director of Photography was having trouble getting Harrison Ford's eye line. When he asked Ford where he was looking, Ford replied that he was looking into his soul. When the DP asked him where his soul was, he replied, "Under a pile of money."

The meter used in the scene where the ships doctor is checking the radiation dosimeters by inserting them into a dosimeter reader is not actually a reader at all. It is a modified Hewlett Packard (now Agilent) HP3555A/B Transmission Level/Noise test set used by telephone and communications technicians. This actual meter was not developed by HP until several years after the K19 incident. The method for reading dosimeters at the time was to look through them (like you would a telescope) and read the progression of an indicator on a ruler like scale.

Natalya Vintilova has the only female speaking role in the whole movie.

FILM 1852: THE MEG

FILM 1852: THE MEG

TRIVIA: In real life, Jason Statham is an expert swimmer. In the 1990 Commonwealth Games, he represented England in diving. Footage of him competing can be found online. Most of the shots of him in the water are real. A stunt double was used for more hazardous shots.

In the book, the megalodons are pure white, almost luminescent, from living in an environment with virtually no light. This coloring proved too difficult to render in CGI while still looking realistic, so the megalodons were colored like great white sharks.

Eli Roth was attached as director before being replaced by Jon Turteltaub. Roth left due to creative differences with the studio, namely that he wanted the film to maintain both its R-rating and a $150 million budget. It was also rumored that Roth, on top of writing and directing, also wanted to play the lead role of Jonas, but the studio believed he did not have the star power.

The film is based on the book "MEG: A Novel of Deep Terror," the first book that author Steve Alten ever published.

The Meg (2018) was filmed in New Zealand.

The name of the boat at the end of the film is "Charlotte." This is also the name of the ship that the character Benjamin Franklin Gates searches for in National Treasure (2004), which was also directed by Jon Turteltaub.

Featured on Episode #196 on the podcast "How Did This Get Made?".

FILM 1473: DAS BOOT

TRIVIA: Originally filmed in German, all of the major actors could speak English. When the movie was dubbed into English for USA and UK distribution, all of the principal actors actually dubbed their own voices into English.

The bulk of the film's $15 million budget was spent on constructing U-boats. Specifications for the original Type VII-C U-boat were found at the Chicago Museum of Science and Industry. The plans were taken to the original builder of the subs, who was commissioned to build a full-sized, sea-going replica, their first such assignment since the war ended. A second full-sized model was built for interior filming.

The submarine models built for Das Boot were also the ones used in Raiders of the Lost Ark (1981).

Because the original TV mini-series was severely criticized in Germany for portraying World War II Germans sympathetically, the producer greeted the first American showing of the film at the Los Angeles Film Festival with great trepidation. They weren't sure how a former enemy nation in that war would react to the film, especially in a city with a large Jewish population, and their fears were reinforced when the audience applauded the opening caption saying 30,000 of 40,000 German men that went into war in submarines didn't come back. However, when it ended, the audience gave the film a standing ovation in appreciation of the artistry of the filmmakers.

The cast was deliberately kept indoors continually during the shooting period in order to look as pale as a real submarine crew would on a mission at sea.

The full-scale model was little more than a hollow shell with an engine, and could be used only in calm waters. While it was being filmed in rougher weather, it cracked in two and sank. It was later recovered, patched with wood planks and used for the final shots.

The picture was nominated for six Academy Awards which was at the time the highest number of Oscar nominations ever received by a foreign language film. The record has since being beaten by such films as Life Is Beautiful (1997) and Crouching Tiger, Hidden Dragon (2000).

Steadicams were not yet in use during the production of the movie. In order to get the fast tracking shots through the U-boat without a shaky image, director of photography Jost Vacano created a system of heavy gyroscopes together with his father that kept the camera steady as he ran through the hallways. The set of the U-boat had intentionally been built slightly bigger to give Vacano more room to work. Even so, as he had to look through the camera, he had to wear a helmet because he would regularly bump his head.

One of the few foreign language films that is primarily referred to on the American market by its original foreign title rather than its translated English title.

With production costs of 31 million DM, it was for a long time the most expensive German movie ever made. It was beaten in 2006 by Perfume: The Story of a Murderer (2006), which, however, was a German-French-Spanish co-production shot in English.